Showing posts with label What's Bluegrass. Show all posts
Showing posts with label What's Bluegrass. Show all posts

Sunday, July 4, 2021

Happy 4th From Your Canadian Cousin (list) by Leanne Dyck

photo by ldyck

Cross-legged on the carpet, elbows on knees, chin cupped in hands, two feet away from the screen, I was mesmerized. Get Smart. Bewitched. I Dream of Jeannie. Green Acres. The Beverly Hillbillies. Most of the TV shows I watched were from the USA. Watching the product of someone else's imagination encouraged me to continue to play with mine. 

When I started writing hand-knitting patterns, it was knitters from the United States who were the most supportive. I sent them patterns and they sent me emails that read, I love your pattern!

In appreciation and to celebrate Independence Day, I've collected short stories that I've written and that were inspired by the United States.

Independence

What's Bluegrass?

Marketing 101

Discovering Land


photo by ldyck


photo by ldyck

Next on this Blog
I'd like to spend the summer with you. And I have the perfect beach read.
I've shared the three-part version of Feeling Groovy.


This summer I'll treat you to the extended version--starting next Sunday, July 11. Seeking clarity, I've renamed the extended version The Other Side. I'll publish installments twice a week--Sunday and Wednesday at 4:40 PM PST. 

The Other Side
serialized
14 installments
inspired by a house my husband and I lived in on BC's Mainland, our move to a remote island, and my love of the 1960s.

My only question is, "Are you ready for the summer?"


photo by ldyck

Sharing my Author Journey...

Working on my current projects has required me to read much of my old writing and it's helped me realize something that I'd like to share with you...

Over the years, I've spent too much time worrying about and even being annoyed at the wrong people.

Thursday, September 13, 2012

What's Bluegrass? (short story) by Leanne Dyck

A short story about my adventures with music.


My peers schooled me about music. "Country is for nerds. Rock is cool."

Holding a hairbrush like a microphone, I sang along to The Beatles,  The Rolling Stones, The Guess Who and Crosby, Still, Nash and Young--but mostly Young. I thought Neil Young was so dreamy.

While in University, I attended the Winnipeg Folk Festival . Under a sun-filled endless blue sky and through misty rain, the diverse audience became a community united by music. 

"I'm a folkie," I told my boyfriend, Byron. 

He had an extensive music collection--records, tapes, CDs. Amongst the rock musicians, I saw names I didn't recognize. 

"Who's Peter Rowan?" I asked and he put the CD into his sound system. I was captivated by what I identified as a folk musician. 


“Would you like to cross the border to Tacoma, Washington for Wintergrass and listen to Bluegrass?”

Wintergrass? Bluegrass?

I guess he noticed my puzzled expression. “You know. Musicians like Peter Rowan.”

That was enough for me, I packed my suitcase.

At the festival, scattered throughout the hotel lobby, groups of people sang and played instruments. Fiddles. Guitars. But there were also huge fiddles that stood on the floor and another instrument that looked like a cross between a guitar and a ukulele.

“Where are the drums?” I wondered out loud.

“There are no drums in Bluegrass,” Byron said. 

“Do you know who that is?” I followed his line of sight to a man playing guitar. Just some guy.  “That's Peter Rowan.”

“Pet...er...Ro...wan? Here? Now?” I sputtered like a star-struck teenager. He wasn’t being clawed to death by eager fans. No one hounded him for an autograph. “How can he just be standing there, playing his guitar? Don’t they know who is he?”

“Of course, they do. But that’s the thing about Bluegrass—anyone can play with anyone. The stars don’t act like stars. They're just people."

We found our room and Byron said, “You’re going to love this weekend. The opening act is Bill Munroe, the father of Bluegrass.”

We took the elevator down to the concert hall and I was lost in thought. The father of Bluegrass? This music is ancient; he must be older than dirt. 

We found our seats and the master of ceremonies introduced the first act, "Bill Monroe and the Bluegrass Boys."

On mass, the audience gave the band claiming the stage a standing ovation--just for showing up.

Bill Monroe looked so old, so fragile--like he should have been in a wheelchair. I hoped nothing happened to him on stage.

To his credit, Bill made it safely through the first couple of songs. But then he appeared to keel over--bending forward at the waist. All of us, the entire audience, offered a collective moan.

A younger band member voiced our concern, "Is Bill okay?"

The answer came from his older bandmate. "Bill? Sure, he's just getting down."

Bill's hand flew across the strings. And he proved right then, right there why this was his music.

Bluegrass' high, lonesome sound stole my heart. It's the voice of the common man--the people I grew up around, where I'm from. And if that makes me a hick, I'll wear the title proudly.

For more than half a century, [Bill Munroe] shaped bluegrass with forceful mandolin playing, high, lonesome singing and mastery of his band the Blue Grass Boys. [1]

Bluegrass music is the synthesis of American southern string band music, blues, English, Irish and Scottish traditions, and sacred and country music. It is distinguished by its high energy, fast tempo sound…

The genre was named after Bill Munroe’s band...who began performing in the 1940s. Bluegrass songs were about issues important to everyday people...[—religion,] love, home, and family, sometimes exploring the darker side of these issues. [2]

Until his death [in 1996], Munroe continued to propagate the gospel of bluegrass to worldwide audiences, appearing in all fifty states and Canada as well as on tours of Japan, England, Ireland, Holland, Switzerland, and Israel. [1]


[1] CountryMusic Hall of Fame, “Bill Munroe”

[2] SmithsonianFolk Ways Recordings, “Bluegrass on Folkways: An American roots tradition”



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