Showing posts with label Canadian publishing house. Show all posts
Showing posts with label Canadian publishing house. Show all posts

Friday, October 31, 2014

Guest Post: Ronsdale Press

Thanks to Leanne for giving us the opportunity to post on her blog!

(It's my pleasure. I'm looking forward to learning more about Ronsdale Press.)

Ronsdale Press was founded in 1988. We are a literary publishing house that publishes fiction, poetry, regional history, biography and autobiography, and books for young readers.


-This is a challenging time to be a publisher. How is Ronsdale Press uniquely equipped to meet these challenges?

It’s a challenging time, but also an exciting time. The expansion of ebooks and online vendors is certainly changing the publishing landscape, and it’s interesting to be a part of it all. I think that mindset—that we are eager to find ways to not just “cope” but to excel in this new era of publishing—is essential.
We publish almost all our new books in ebook format, stay active on social medial and embrace sites like 49th Shelf, All Lit Up, and Goodreads. Our staff routinely takes part in professional development seminars to further our education in these areas. We are also in the process of working with a print on demand company to more efficiently print and ship our titles to customers abroad.
And while the medium may be shifting, the content largely remains the same—and readers want good content. Publishing prominent writers like Jack Hodgins, and award-winners like Pamela Porter and Richard Wagamese, is a giant first step in meeting these challenges.

-I understand that Ronsdale press is a Canadian publisher, what unique benefits and challenges do this present?

An obvious challenge is that many great Canadian writers don’t receive the same “buzz” that an American author might, limiting our exposure to the casual reader. But that just means we have to work a little harder promoting our authors, and groups like the Literary Press Group and others are making progress on that front.
An enormous benefit is the wealth of amazing writers here in Canada. We’ve published a great many non-fiction books and biographies, too, which would not be possible without Canada’s fascinating stories and story makers. 
-How does Ronsdale Press market its books? Does it have a global reach?

Essentially, with the internet and technology of today, we have achieved global reach. While we focus our marketing efforts in North America and the United Kingdom, we do provide direct sales to customers from anywhere (anywhere we can ship to, that is). A few recent examples include India, South Africa and Korea. Printing on-demand in foreign countries will greatly help this effort.
  
-How do you market your books?

We advertise in both local and national media, and send review copies to reviewers across Canada and the United States (and sometimes abroad). We are active on Facebook, Twitter, Pinterest and our own website, as well as with our monthly newsletter. Ronsdale and our authors participate in book launches, fairs, festivals, signings and readings.
-Please describe a typical workday at Ronsdale Press.

Like many independent publishers in Canada today, we have a small office with a limited staff. A “Publishing Assistant” in today’s industry wears many hats: secretary, marketing co-ordinator, copy editor, publicity manager, head of the shipping department, and many more.

-Do you publish print, ebooks or both?

We publish both print copies and ebooks of almost all our new titles. We have also converted a great many of our backlist titles to ebook format and continue to do so.


-Please lead us through Ronsdale Press's author submission process...

We accept manuscripts from Canadian writers, both emerging and established, as per our submission guidelines. We review all manuscripts that arrive and strive to reply within 2-3 months. Our readers review the submissions and make their recommendations to the acquisitions editor, who makes the final decision. We will then reply to the author with our decision and include any relevant feedback regarding their work.

-How do you choose the authors you publish?

First and foremost, the manuscript must good fit for Ronsdale and one that we can promote successfully. We need the author to be able to promote their own work, too. As the face of Canada changes, we are increasingly looking out for multicultural writers. And as our mandate states, we are “dedicated to publishing books from across Canada, books that give Canadians new insights into themselves and their country.”




-Please walk us through the process of publishing a book...

After accepting a manuscript, we work with the author to edit their book to a publishable standard. Our designer creates for us a cover and bookmark for the title. When editing is complete, we send it to the typesetter. We proofread the typeset copy very carefully at least once more before sending it to the printer. Meanwhile, early promotion is underway and we communicate with our sales reps about how many copies we should print. The book is then printed and distributed to the bookstores, where we hope they sell, sell, sell!

Friday, June 13, 2014

Guest Post Michelle Halket of Central Avenue Publishing



Thank you very much for having me, Leanne.

You're most welcome, Michelle. Thank you for visiting my blog.

What is Central Avenue Publishing's mandate?
Our goals are to treat writers with respect and integrity while bringing to market entertaining books and authors that connect with readers.

How/why did you decide to be a publisher?
Unlike many in the publishing industry, I didn’t work in it before. I’ve always been an avid reader and the idea for this company actually started with a conversation about 6 years ago that it should be easier for authors to get their work out there. Ebooks were in their infancy and being a technophile, the whole idea of a low cost, environmentally sound way to publish books really intrigued me.

The first iteration of Central Avenue Publishing was ireadiwrite Publishing, which was basically a DIY type of venture where we would take anything that anyone submitted and put it into the various ebook formats and sell it on our website. A year later, I wanted a change. I wanted to feel really passionate about what I was helping to put out into the world and so we adopted a more traditional publishing model. You can learn more about our first year here: http://centralavenuepub.wordpress.com/2010/05/01/one-year-old-almost/ 



When did you establish Central Avenue Publishing?
We started research and work in September 2008 and opened for business on May 1, 2009.

Share some of Central Avenue Publishing's challenges and victories...
Our biggest challenge is trying to get distribution into bricks and mortar stores. With paper books in decline, and fewer bookstores around, it’s near impossible to find anyone to represent our print titles. That said, I often wonder if it’s worth the effort. After all, the majority of our revenues come from digital and all signs point to continued success in that segment. I talk a little more about our challenges in this post: http://centralavenuepub.wordpress.com/2013/04/30/central-avenue-is-4-years-old-whats-next/

I also find marketing and sales challenging. Until about 2 years ago, I was solely focussed on production, getting books into the market. Book marketing is tough, it’s hard to make your book be seen in the other millions of books out there. We believe we’ve come up with solutions that work for us so far, but as always, I’m constantly looking for new ideas.

We have had a series of small victories over the last 5 years, and they’ve come in the form of authors who are truly dedicated to making their writing careers work. That said, we have had a few books go viral - which has meant that while the author did some great initial work to get the word out, the genre and the audience took over and helped propel the books to get more widely read.

We’ve had several books hit high on bestseller lists and it’s meant that a few of our authors can afford to do more of what they love: write.



This is a challenging time to become a publisher. How are you uniquely equipped to meet these challenges?
This is such a difficult question to answer. I believe that the only thing that I can offer any author is to be their collaborator and champion. Any author can publish themselves, they don’t really NEED a publisher. That said, there is inherent and tangible value to working with someone who has a vested interest in making your book work. I bring that to the table. That and a strong case of integrity and honesty and a true love of books.


What do you see as the benefits of being a publisher?
As I said, I love books. But what’s really cool is seeing the evolution of the story into a book that is even better than when it came in. With my editor’s hat on, I love suggesting changes to characters and storylines - it lets me be a bit creative.

Being a publisher is a bit like being a parent. You foster this thing along through maturity and then release it into the world to see what it can do. When it does well, boy that’s the best feeling.



I understand that Central Avenue Publishing is a Canadian publisher, what unique benefits and challenges does this present?
You know, I don’t know if being a Canadian publisher is good or bad - but Canada is so great at supporting their arts that they make it easier to do business - like issuing free ISBN’s and offering grants and awards to publishing houses. We take advantage of the former of course, and one day, when I have the time to fill out the paperwork, I’ll look at how to apply for some of those grants.

The only challenge I have seen is that I’m a small, primarily digital publisher on the West Coast of Canada. This means that there are few other professionals close by for me to collaborate with. However, my discovery of Twitter five years ago has meant that I can connect with other like minded people - no matter where they are.

Do you only publish Canadian authors?
No, only a small handful of our authors are Canadian.



How does Central Avenue Publishing market their books? Do you have a global reach?
Primarily, marketing is spearheaded by the author with support from us. At launch, we prepare all the materials an author might need, postcards, posters, press releases, media sheet, etc. We also query hundreds of book bloggers and run giveaways. Our books are reviewed about 2-3 times per week on book review blogs around the world. But really, we rely on the author to develop the plan (with our input) and we do their bidding.

We are so very global! Our authors live in all four corners of the world. 

Please describe a typical work day...
Since I’m pretty much a one-person show, I wear all the hats. I do on occasion work with freelance editors, proofreaders and art directors but for the most part I do it all. I have partnered with Meghan Tobin-O’Drowsky who runs our Everheart Books imprint.

What genres do you publish?
We publish all forms creative writing. We are not interested in self help or other non-fiction.

Who pays the publishing costs--the author or the publisher?
We are a traditional publisher, we pay all costs.

Does Central Avenue Publishing pay royalties as well as an advance?
We pay royalties but not advances. That said, our royalties are the highest I’ve seen talked about in the publishing world.

Do you publish ebooks, print or both?
Both, but depending on the book, it could be ebook only.

Please take us through Central Avenue Publishing's author submission process...
We aren’t currently accepting unsolicited submissions but we might later this year. When we are, we ask for a one page query letter. If we’re interested we ask for the first three chapters and then the whole manuscript.

How do you choose the authors you publish?
Of course, I have to like the book - but most importantly, I have to like the author. I look for authors who are serious about their career, putting themselves out there and being professional. I research them quite a bit before furthering the submission process. If I find instances of being overly dramatic or unprofessional websites, social media activity, etc. then it’s a red flag for sure. Since we work together a lot, I want to be sure that we’ll get along!

What next, please walk us through the process of publishing a book...
Our process is much like any other publisher, initial read, rounds of editing and proofreading, rounds of cover design, distribution and then development of a marketing plan and follow up.

Parting words...


I just want to thank you for having me. It’s always a pleasure to meet new authors and publishing professionals. I always have the same words for any person who feels themselves compelled to write. Never stop writing, if you do, you do a disservice to the rest of us. It doesn’t matter what happens to those words, if they’re read by one or one million it is more important that you wrote them down.

Monday, May 26, 2014

Writing tips from a writers conference notes by Leanne Dyck

A generous publisher, a knowledgeable panel and an inspiring author were the magic ingredients that made this Crime Writers of Canada (B.C. branch) mini conference a 'must attend' event.

Ruth Linka
Associate Publisher
Orca Publishing

Ruth Linka spoke candidly about a diverse list of topics--what she expects from authors, the steps after your manuscript is accepted, and what type of work her publishing house (Rapid Reads imprint of Orca Publishing) is seeking.
Here is what I heard her say (which might be slightly different from what she actually said)...

-stressed that it's important for authors to connect with their (potential) readers through social networking
-when a publisher sends you a personalized rejection letter it's because they want to see more of your work and that they hope you will continue to submit your work
-after the manuscript is accepted the contract is signed, editing starts, book cover ideas are discussed as well as how to promote the book. This usually takes about a year. Although some publishers may reduce the time to six months.
-Rapid Reads is looking for short work (15 to 20k words) and are focusing on mysteries 
-Ideally the author would have the next book in the series ready so that when the first book of the series is published the first chapter of the second book can be included at the back (Louise Penny does this)
-Ruth likes to see good writing, an interesting plot and characters--and for the protagonist to have a side kick
-most Canadian publishers take a manuscript without an agent
-search title to make sure it isn't being used
-catch the publisher's interest in the cover letter


Conference organizer Phyllis Smallman introduces the panel
Left to right:  Lou Allin, Benni Chisholm, Kay Stewart (moniator) and Stanley Evans

When writing a mystery what should the author focus on?
Lou Allin:  Is the crime going to be solved? What other problems will be encountered?
Stanley:  Think in terms of 'must' and 'cannot'--as in, the protagonist must solve the crime because... but cannot solve it because...

How do you make a book suspenseful?
Benni Chisholm:  wrote one of her books in the first person that way the reader only knows what the protagonist knows. She wrote another book in the third person and she wrote it in such a way that the reader knew who the antagonist was. This made the reader worry.
Lou Allin advised against starting chapters with the character getting up or end with the character going to bed.
Lou Allin advised sharing the same thought on every page.

Writing tips?
Stanley:  no outline--writes a detailed synopsis, instead
-all crime books begin with a murder
 -more challenging to write a novel in the lst person so he recommended that beginners write in the 3rd person

Benni:  likes to end each chapter with a cliff hanger. 

Lou:  it's okay to have an unreliable narrator, it's okay to lie to your reader. Even though, the reader has been educated to trust the narrator.

Kay:  get me on the first chapter and flow forward


Phyllis Smallman

Phyllis Smallman began her talk about how to write a best-seller by saying, in order to be a great author you need to be a great reader--learn form the masters.
She recommend that we read best-sellers and study them to determine why they are best-sellers.
Start with a great opening paragraph
Vary the length of your sentences

Recommended writing craft books:
Write Away by Elizabeth George
A Passion for Narrative by Jack Hodgins
Reading Like a Writer by Francine Prose
For Writers Only by Sophy Burnham
An Exaltation of Larks by James Lipton
Self-Editing for Fiction Writers by Renni Brown & Dave King

Much thanks to the organizers and presenters. (Oh, yes, and to my friend Amber and her husband for making room in their van for me.) I for one, and I know I'm not alone, was brimming over with information and inspiration. And I can't wait until next year...

Sharing my author journey...
I've been giving a lot of thought to what I want to accomplish this summer.