Showing posts with label publishing house. Show all posts
Showing posts with label publishing house. Show all posts

Friday, September 5, 2014

Guest Post: Quattro Books--Allan Briesmaster, publisher


Quattro Books’ publications reflect the unique cultural character and dynamism of Canada today: what it has been, and what it is in the process of becoming. The Canadian literary scene is international; our national experience is informed and enriched through literatures brought by immigrants and newcomers. We are the home of the Novella.

Quattro Books is motivated by the vision for open-ended literary expression. The literature that we are interested in aligns closely to what Northrop Frye aptly called “post-national literature”: literature which tackles and breaks taboos surrounding origin. We aim to publish meaningful literature regardless of its linguistic, cultural, and national background; in doing so, we contribute to a community which accurately reflects the multiplicity and excitement of literary production in Canada. For us, a good novella or poetry collection by a Canadian author familiar to readers is just as important as a literary creation by an unknown writer who experiments with form or style.

Below is a list of some of Quattro’s most recent titles that have been published, and some of our highly anticipated titles!

Spring 2014




Travels by Night  - by George Fetherling

Travels by Night, long a national bestseller, is George Fetherling’s account of surmounting every obstacle as a despised minority to become to become a fixture in Canadian culture. A book with a broad cast of characters ranging from Margaret Atwood to John Lennon to Marshall McLuhan—and dozens more.

George Fetherling is a well-known novelist and commentator. Some of his other familiar books are Walt Whitman’s Secret, The Sylvia Hotel Poems and The Book of Assassins. He lives in Toronto and Vancouver.




Cleopatra at the Breakfast Table by Peter O’Brien

Cleopatra at the Breakfast Table is about storytelling in the digital age. It’s a jaunty account of a single father, 55, and his daughter, 15, studying Grade 10 Latin together. The book explores the bustling life of teenaged girls, the expanding influence of technology, the peculiar logic of contemporary family life, and how fathers and daughters communicate, or fail to communicate, in the era of Facebook.

Father and daughter talk about teenage “death circles,” discuss how brothel owners in ancient times advertised their establishments, and come to realize that, while buying a new cell-phone contract, they might not think the same thing when they hear the words “three-year Virgin contract.”
For the book, the author interviewed Gordon Lightfoot, Dr. Ruth and the former Bishop of Mumbai. Also interviewed are a 12-year-old girl from New York City who studies for her Latin tests by texting with a friend, and a 99-year-old businessman who dined with George Orwell and still uses Latin every day.



Come Cold River by Karen Connelly

 In Karen Connelly’s first collection of poetry since The Border Surrounds Us, the poet offers up a searing, complex portrayal of her troubled family. Refracted, augmented, drawn through various cities, streets and fields, over mountain ranges and foreign landscapes, this portrayal grows into an authentic homage to people who are often invisibilized or silenced. Simultaneously, it becomes an indictment of her own country, Canada, its long history of racism and unconscionable violence against women, children, addicts, and poor people. Never didactic, insistently real, these poems make us wonder “how to enter again/that unlikely tenderness/the cracked ribcage of the world/ as if it were the last shelter.” Come, Cold River is a piercing, exquisite look at the social inequalities in Canada.




We acknowledge the generosity of the Ontario Arts Council, the OMDC, and the Canada Council for the Arts

Thursday, August 28, 2014

Guest Post: Fireship Press by Michael James

What is Fireship Press' mandate?

Our mandate is to produce good quality books based upon  fact or fiction that is within the bounds of 'Historical' or Nautical reading.



How/why did you decide to become a publisher?

Tom Grundner [lately passed on] disliked the general attitude of Agents who acted as unimaginative gate keepers for large publishing houses and wanted Fireship  to be accessible to more of the middle of the road authors with something to say.

When was Fireship Press established? And why the nautical theme? Are you solely interested in American history?

The company was established about four years ago. The Nautical name was because Tom was avid about nautical tales but while we are still very much nautical we have moved well beyond that genre to almost every other medium but stayed within the bounds of Historical as the core . Definitely interested in history from anywhere in the world if it is a good, well written and compelling book.



Share some of Fireship Press' challenges and victories...

Our challenge has been to grow in a very competitive market holding onto our niche which we value. We are POD.[Print on Demand] and that has been stigmatized by the big publishers although it is good business sense. If the book shops paid more attention to planning they might not be going out of business and the big publishers might not be holding tons of paper in warehouses that they cannot sell. We would quickly go out of business if we allowed the bookshops to order what they liked and to return what they were too lazy to plan for. We have begun to attract some good authors who bring with them more readers .

It is interesting to note that the ships at sea and the Napoleonic wars are still very popular but so are our books on the crusades and the Middle Ages.




This is a challenging time for a publisher. How are you uniquely equipped to meet these challenges?

We run a very lean operation and do not spend where we don't have to. We are as aggressive as possible, within our budget, about getting our books out there and more  selective about what we publish.

What do you see as the benefits of being a publisher?

It is exciting and very hard work but the reward is to see a good book that the large publishers and agents would have rejected go out there.



How does Fireship Press market their books? Do you have a global reach?

We use the blogging system which we are still learning how to use at its best. Blog Tours and Netgalley are some of the tools we use. We are thinking through our marketing strategy on a fluid basis.

We have a global reach via : Ingrams, Lightning Source world wide distribution in paperback and ebooks : Amazon : Apple : Barnes and Noble and Kobo and Sony



Please describe a typical work day...

Start at 0900 Hrs and work all day administering, paying, ordering for our authors and invoicing then working with the editors on problems and manuscripts. Allocating books for the editors, keeping track of their work and then working with the design team on the covers. Working with the authors on approvals, covers , Blurbs, information for our web site and the book. Working with our Marketing person to try to get the best for our authors.

Keeping track of the 85 tasks that are needed to make it happen and generally working like dingbats. Finish at 9 pm at night.



What genres do you publish?

Nautical, Military,  Worldwide historical topics, US Stateside history both genders, Civil war any country , Empire, Colonial, Personalities in history, Air . Sea and Land historical stories

Who pays the publishing cost--the author or the publisher?

Fireship pays all the costs.

Do you pay both an advance and royalty? What is the ratio?

No advance but yes Royalties are paid three times a year: The amount is confidential and between Fireship and the authors but it is higher than the average.

Please take us through Fireship Press' submission process..

Please read the web site details ..They are there for people to see :  www.fireshippress.com

How do you choose the authors you publish?

With as much care as we can. It is a subjective process but we hold to certain rules that are flexible it is true but over time they have proved valuable.

Are you a print or E book publisher?

Amazon. Apple. B&N Kobo and LSI



Words of advice for aspiring Fireship Press authors...

First: Write a good story and make sure it is well Edited before submission as a badly edited manuscript can color the process against the author. We want a new author to succeed but they have to help themselves to do so by conforming to certain requirements in order to do so. Everyone is busy so if a poor quality manuscript comes over the transom then it is greeted with impatience which is a bad start to the process. The submission instructions are fairly clear.




Parting words...

 Places like Fireship Press came about because the big boys are not very interested in anything but the established writers. We are interested in taking a look. Our standards are high as we are not a Self publishing company nor a Vanity Press. Our reputation is important to us, and our authors, so we don't take just anything that comes over the transom. Keep writing and don't give up. If you are passionate about your work sooner or later someone will sit up and take notice.

Thank you for your interest.  Michael James 



Friday, December 13, 2013

Guest Post: Lou Aronica of the publishing house Story Plant...


What is Story Plant's mandate?

The Story Plant is dedicated to author development. We commit wherever possible to multi-book deals with writers with an aim toward building their audiences over a series of publications.




How/why did you decide to be a publisher?

I've been in publishing since 1979, first at Bantam, where I became Deputy Publisher, then as Publisher of Berkley and Avon. I left that side of the business in 1999 to concentrate on writing, but even though I was having success in that arena, I found that I missed being a publisher too much. That's when I decided to launch The Story Plant with literary manager Peter Miller.


When did you establish Story Plant?

The Story Plant published its first book in 2008.




Share some of Story Plant's challenges and victories...

The bookstore arena is always a challenging one. It is difficult to generate attention for your books without taking considerable risks. Since print books are fully returnable to the publisher if unsold, one takes a big chance in doing a mass distribution. 

We have had significant success on the e-book side of the business. More than a third of our titles have reached the top 100 of either the Kindle or Nook bestseller lists.


This is a challenging time to become a publisher. How are you uniquely equipped to address these challenges?

I think what distinguishes us from most other independent publishers is our understanding of the history of publishing (I was taught the business by Ian Ballantine, the man who brought paperbacks to America for the first time) and willingness to constantly try new things.


What do you see as the benefits of being a publisher?

The greatest benefit of being a publisher is working with writers and seeing their vision come to life on the page.




How does Story Plant market books? Do you have a global reach?

We use a wide range of marketing techniques, from extensive publicity campaigns to targeted advertising, to e-mail marketing, and beyond. We're constantly looking for new ways to market books. 

The Story Plant is distributed by Perseus Distribution, so our books are available in the English language throughout the world.


What genres do you publish?

We publish a wide range of fiction, both commercial and literary.


Who pays the publishing costs--the author or the publisher?

The Story Plant pays all publishing and marketing costs.


Does Story Plant pay royalties as well as an advance?

Yes.


Do you publish ebooks, print or both?

Both.




Please talk us through Story Plant's author submission process...

The best way to submit a title is for the author to query either me (lou.aronica@thestoryplant.com) or our Editorial and Marketing Associate Allison Cronk (allison.cronk@thestoryplant.com). Both of us have very broad tastes and we're open to all kinds of fiction. The only caveat is that we want writers who are truly committed to staking their own place in the book market; we aren't interested in writers who are simply following trends.

Thursday, June 20, 2013

Writers, who owns your work? by Leanne Dyck

A friend asked me if she owned the short story she had contributed to an anthology or if it was now owned by the publisher? She hadn't been paid for her submission nor had she signed a contract?

I replied...

Authors always retain ownership of their work. They only lose this ownership temporarily when they sign a contract allowing the publisher to publish their work in exchange for payment.

As she did not sign a contract, she did not lose ownership of her story--even temporarily.