Showing posts with label children's literature. Show all posts
Showing posts with label children's literature. Show all posts

Sunday, October 13, 2019

20+ Book Reviewers (list) by Leanne Dyck

'Flowers in the Fall' photo by ldyck

Where are the must-read books? What book should you read next? Who will review my new book? These bloggers know...


Children's Literature


Andrea L. Mack
Children's books with tips for teachers and writers

book reviews and interviews




Celebrate Picture Books 


Helen Kubiw: Can Lit for Little Canadians












Fiction and non-fiction deemed to appeal to teen boys'
--and some MG





A Canadian teacher reviewing kidlit for your home or classroom library.

Games, books, activities, and ideas to get your kids reading!
by author Joyce Grant



Children's to Adult Literature






Ottawa Review of Books:  A Canadian Book Reviewer


A team of women readers who review a mix of genres.

Reviews:  mystery, speculative fiction, and Young Adult
DOES NOT REVIEW:  horror or racy romance
NO Arcs

Adult Literature


Breakeven Books


Books and Ladders (science fiction, fantasy and contemporary)

FictionFan's Book Review (fiction, crime, non-fiction)



The Review Universe

The Review Universe reviews the following: novel, mystery, non-fiction, historical fiction, thriller, short story, romance novel, biography, horror fantasy, poetry, philosophy
Himansu Singh Parihar is the founding member


photo by ldyck

Next Sunday evening on this blog...

The Craftsman (short story)
While in elementary school, a short story I wrote was published in my community's newspaper. The plot for The Craftsman was derived from that story.


Sunday, August 4, 2019

Guest Post: Author Ellen Schwartz

This summer I had an opportunity to meet and share my writing with Ellen Schwartz. She helped me to greatly improve my writing. I'm so pleased to be able to introduce Ellen to you...


How/why did you start to write?

I was a special education teacher and then I taught primary grades. My husband and I were living in the Kootenays, and we became passionate about environmental protection and energy conservation. I thought that kids would rather learn about those issues through a story than through a lesson, so I wrote an educational story about energy conservation and renewable energy, called Adventure in Entropia. I sold it to the provincial government, and it was distributed throughout BC. I wrote another educational story, which I sold to the National Film Board. I was hooked and decided to try to write a "regular" story.

How did you become an author?

My first book was based on a true story that involved a friend of mine and her bike, which she called Dusty. I sent it out and it was rejected six times. The seventh publisher, Solstice Books, accepted it. I can still remember holding the first published copy of Dusty, turning the pages and going, "I wrote this!"





Reflect on your writing process

Most story ideas come to me through a character. I see someone interesting on the street or a character pops into my imagination, and I think. Who is this? What is his or her background? What problem is he or she facing? I may live with the character for a long time before a story idea emerges. I make notes about the characters, the problem, the setting. I don't outline, but I do brainstorm possible scenes, which I may or may not use. Once the opening scene is pretty clear in my mind, and I can hear my characters talking, I start writing. I generally write the story chronologically.

I write longhand. When I type the story on the computer, I revise, and that becomes draft two. I do three or four substantive drafts--meaning that I dig deep into the story, adding characters, taking out characters, moving scenes, etc.--and probably 20 "polishing" drafts before I send the manuscript out.

What did you do before writing full-time? Does it feed your writing, how?

After teaching school for four years, I danced professionally for a year and had two children. My husband and I started a communications consulting company, Polestar Communications, and that is how I have earned my living for the last 35 years. We write and edit reports, articles, speeches, educational curriculum, etc. Working as a corporate writer has taken time away from my "real" writing, but on the other hand it has been good training to be a working writer. I write every day, edit other people's work, do interviews, and deal with deadlines. All in all, I think it has served my writing. But I'm happy to be pretty much retired now and able to devote more time to writing my books.

What inspires you to write?

I feel compelled to write. I think it is my love of stories. I have always loved to read, and I get nourishment from books. Story ideas pop into my head and I want to share them. Although I have published 18 books, I feel that each book is a challenge and a learning experience. I try to do a better job each time.



Do you belong to any writing organizations/associations? What do you do for it/them and what does it/they do for you? Would you encourage new authors to join? Why?

I am a member of CWILL-BC (Children's Writers and Illustrators of BC), CANSCAIP (Canadian Society of Children's Authors, Illustrators and Performers), Children's Literature Roundtable, The Writers Union of Canada, and the Canadian Children's Book Centre. For CWILL, I organize an annual panel of children's authors and illustrators that gives members of the public a chance to ask questions about getting started in the career. I would definitely encourage new authors to join. The children's book community in Canada is small in number but very collegial and supportive, and it's great to have communities of fellow writers across the country.

Advice for those seeking to write full-time and for new authors...

Two words. Read. Write. Read everything--picture books, chapter books, YA fiction, non-fiction, graphic novels. Write. Keep at it. Don't get discouraged. It's hard to break in, but publishers are always looking for new voices. Also, find a writer's group that will offer honest, constructive criticism.


Sunday, January 20, 2019

20+ Literary Festivals in Canada

From BC to Newfoundland--a year full of literary festivals.


the panel discussion before the panel discussion--that's me on the right
photo by bdyck

I've greatly benefitted from attending writing festivals in so many ways--skill development and inspiration and encouragement and networking and improved self-esteem and... Whether you're attempting to write your first story or just released your 50th book, I highly recommend attending one or several. Here's a year's worth--for your consideration (this isn't a complete list, but I've tried). If you're disappointed by the brevity of the list--bless you--there are more extensive lists at the end of the post.

March


Growing Room:  A Feminist Literary Festival
Vancouver, BC




April


Sidney Lit Fest
Sidney, BC

News Brunswick
the largest literary event in Atlantic Canada
bilingual

Quebec

May


Festival of Literary Diversity (Fold)
Brampton, Ontario


Ottawa International Writers Festival
Ottawa, Ontario


Festival of Trees
'the largest literary event for young readers in Canada'
Waterloo, Ontario 
London, Ontario 
Toronto, Ontario 

Alice Munro Festival of the short story
Huron County, Ontario


June


Take a break. Read a book. Write a story.

July


Lakefield Literary Festival
Lakefield, Ontario


Read by the Sea
River John, Nova Scotia

Children's Festival
River John, Nova Scotia

Ochre Pit Cove
Conception Bay, Newfoundland

Saskatchewan Festival of Words
Moose Jaw

August


Writers at Woody Point
Bonne Bay, Newfoundland

London, Ontario

September 


The Word on the Street
Halifax, Nova Scotia

The Word on the Street
Saskatoon, Saskatchewan

Telling Tales Festival
'inspiring a love of reading and raising awareness of literacy'
Rockton, Ontario


The Winnipeg International Writers Festival (Thin Air)
Winnipeg, Manitoba


Kingston Writers Fest
Kingston, Ontario


Word Vancouver
Vancouver, BC


Victoria Festival of Authors
Victoria, BC

Lunenburg Lit Festival
Lunenburg, Nova Scotia

October


Whistler Writers Festival
Whistler, BC


Book Bash Canadian Literature Festival
Chatham-Kent, Ontario


Ottawa International Writers Festival
Ottawa, Ontario


Toronto International Festival of Authors
Harbourfront Centre
Toronto, Ontario


Stratford Writer's Festival
Stratford, Ontario

Surrey International Writers' Conference
Surrey, BC

November

London, Ontario

December, January


Cuddle up with a good book and dream of next year's literary festivals

more extensive lists...


Canadian Festivals and Reading Series
The Writers' Union of Canada



Question:  (maybe you have the same one) Why are there no Canadian literary festivals in June? Huh?

Sunday, January 13, 2019

Guest Post: The Gifted Kid Book Series by Gloria van Donge


THE GIFTED KID BOOK SERIES
by Gloria van Donge

The Gifted Kid Book Series has been written to create a doorway into the world of the gifted child.  The stories provide a fantasy world in which children can safely examine real world issues.

How did this journey begin?

Early in 2012, our daughter phoned to share her wonderful idea about writing a picture book, especially for gifted and talented children.  Bronwyn had been teaching for some 15 years before she became a Project Officer with the Department of Education where she, along with others, trained teachers to work with gifted and talented children.  For a period of 8 years, she was involved in setting up GEMs in schools around Brisbane, Australia.  GEM means Gifted Education Mentor.  And now, she wanted to write a book to encourage gifted children and help them start conversations with their parents.  Then came the crunch line – “Would I be her editor?”  Little did I know then that, in the next five years, the tables would be turned.  Bronwyn’s workload increased.  The topic expanded.  One picture book grew to five, and Bronwyn became the editor and I donned the author’s hat.

Why did you choose to write for gifted children?

It was only during Bronwyn’s time as a project officer that she discovered that she was gifted.  The more she learned about this topic, the more things fell into place for her.  Self-acceptance, self-esteem and self-confidence blossomed with this new understanding.  She began to realise that being gifted was normal for her.

As parents, we realised that if we had known about giftedness when she was small, it would have made a difference for he.  Had we been aware, we may not have dismissed our child’s early developmental stages as normal.  We thought every young child could structure sentences, talk well and remember everything. Had we known, we may have realised that behind this well-behaved little girl was an exploding mind wanting freedom to explore.  We may have heard her struggle to find where she fitted in. Had we understood, we may have recognised her camouflaging behaviour, her search for friends – mainly older than herself – and her boredom with repetition.

Now, 40 years later . . .

  • What if we could create stories that would help other parents of gifted children?
  • What if gifted children discovered for themselves that being gifted could be wonderful, fulfilling and worth treasuring?
  • What if these stories raised awareness in the community and became a catalyst for discussion about the social and emotional wellbeing of gifted children?

How did you come up with your characters for this series?

One of the analogies Bronwyn used to help teachers identify with gifted children was an article written by Stephanie Tolan, called “Is it a Cheetah?”   With Stephanie Tolan’s permission, her cheetah analogy became the seed idea that sparked our decision to cast the main characters as cheetah cubs. 

Tell me about your characters.

There are five main characters, each with their story to tell; so there are five books in the series.

  1. In book 1, Chelsea is gifted in innovative thinking.  She comes up with unusual ideas to avoid the “boredom blues”.
  2. In book 2, Chadwick is the athlete.  He’s Mr Muscle, custom-built to run fast; but he has a problem. Should he run as fast as he can, or should he slow down so his friend, Tiger, can keep up?
  3. In book 3, Christina is gifted creatively; but she wants to do everything perfectly.  What happens when she makes a mistake?
  4. In book 4, Chevron is interested in math and science; but, intellectually, he is out-of-sync with his peers.  He’s a reflective thinker who comes up with a unique way to solve his problems.
  5. In book 5, Charlotte is gifted emotionally.  She has lots of empathy with others and is upset when things are unfair.

What part of this journey has brought you the most joy?

I have really loved working in my creative workshop – developing my cheetah cubs, seeing their characters emerge and getting to know what they would say and feel. This has been so much fun.  To see bland text on a white page being transformed into real characters with eyes and a face and emotions was exhilarating.  When I received the first black and white drawing of the landscape, I thought, “Yes.  This is their home.  This is where they live.  This is a safe place for them to tell their stories.”

Discovering my creativity has been a motivating force that has powered me on and on.  It’s like slowly lifting the lid of a hinged blanket box and releasing hundreds of beautiful butterflies.

What was the most daunting part of bringing your books to life?

One of my reviewers said, “There is a tenderness to the characters and a tone of celebration of their uniqueness.”

To achieve this outcome has been tricky.  I remember the early drafts of my second book where the underlying premise is based on the fact that cheetahs are the fastest runners on land. My daughter said this story was too judgemental.  So we discussed this issue: How do we make comparisons without passing judgement? To achieve this, I restructured the storyline, redistributed the dialogue and added humour, while still addressing the issue of camouflaging behaviour.

Who will benefit from these books?

Primarily, these picture books are written for young gifted and talented children, aged from 2 years to 8 or 9 years old.  They are multi-layered and designed to grow with the child. The Children’s Choice pages (at the back of each book) extend the stories by developing activities to s-t-r-e-t-c-h the child’s mind.  It was so rewarding to receive a review from two boys, aged 6 and 8 years, who are registered with Mensa in New Mexico.  The title of their review is, “Characters Just Like Me”.

They also help parents understand why a gifted child may behave like one of my cheetah cubs.  The Parents’ Pages (at the back of each book) are designed to explain why the story was written and to stimulate dialogue with the child.

The books are also being regarded as a resource tool for professionals – teachers, school counsellors, psychologists. To support their relevance for teachers, Master Educator, Dr Kathy Murray has aligned the books with The Australian Curriculum (for primary schools) and The Early Years Learning Framework (for kindergartens and early learning centres).

What advice would you offer to parents who have gifted children?

Find out what makes your child feel special.  Listen to their heart and talk to them to discover what motivates them. Create space for their creativity, their interests, and their curiosity.  Record their ideas.  Help them to smile on the inside.

The most prominent feedback from parents of gifted teenagers is that they wish these books have been available when their children were small.  I hope, in some small way, that my series of picture books will help parents grow happy, confident gifted kids.

What has been a significant encouragement to you in this journey?

I have been humbled by people around the world who have affirmed my books as filling a significant vacuum in the field of gifted and talented. People, like Stephanie Tolan, Carolyn K (Hoagies Gifted Page), Dr. Jim Delisle, Carol Bainbridge,  Dr. Marianne KuzujanakisM.D., M.P.H., (Chair of SENG's Professional Advisory Committee, Desirée Houkema (Specialist in Giftedness and Talent Development at National Talent Centre of the Netherlands), as well as many professionals working in the field in Australia have encouraged me.  I am grateful to Royal Fireworks Press for making my stories available in USA & Canada since 2018 and Abakus Press in Turkey in 2019.  Other translations are being explored, including Holland/ Belgium and Asia.




Links:



Sunday, January 6, 2019

Book Review: Sweep by Jonathan Auxier (MG historical fiction)

"A sweep is as lucky/as lucky can be," sings Dick van Dyke (watch him on YouTube)

Sweeps are lucky because they survived their childhood labour as Climbing Boys. In Victorian London, every day, all day, Climbing Boys were forced to--with brushes in hand--climb into chimneys. Some got trapped. Others fell from roofs. Others...

Though most of the Sweeps in Jonathan Auxier's book are cruel, protagonist Nan Sparrow's Sweep--the man who raised her--is almost saintly in his selflessness. In an attempt to make Nan's life tolerable, he gives her all he has. Before he disappears into the shadows, he leaves behind his last gift--a lump of soot and ash. 


The right gift--no matter how seemingly insignificant--given to the right person can transform a life.


Published by Puffin
an imprint of
 Penguin Random House Canada Young Readers
Published in 2018

Winner of the 2018 Scotia Bank Giller literary award, 
Sweep:  The Story of a Girl and her Monster is one of those rare books that remains with you long after you finish reading the last page. 


Favourite quotes...

'You can't have courage without fear.' (p. 296)
'We save ourselves by saving others.' (p. 333)



More...


49th Shelf chats with Jonathan Auxier

Early sketches of the characters in Sweep

Jonathan Auxier's author website


Next post...

Sunday, January 13 (at approximately 5 PM PT)

Guest Post: International published children's literature author Gloria Van Donge (The Gifted Kid Book series) shares her author journey.


Sharing my author journey...

No fluffy bluish white ice crystals fell on Mayne Island this winter but that doesn't mean we didn't have challenges.

Sunday, July 23, 2017

Book review: Short by Holly Goldberg Sloan (MG novel)

I've written short stories and novels. I've written picture books and a novel for young adults and books for adults. But I've never written a middle grade (children from 9 to 12 years of age) novel. Writing in this genre intrigues me and an idea is slowly taking shape. To encourage this idea to grow into a story, I'm seeking out new middle grade books.






Published by 
Dial Books for Young Readers:  Penguin Young Readers Group
Published in 2017

I was off-island in a mall when Short jumped off the shelf and into my hands. Standing there, I read the first page. The narrator's voice was unique and captivating. I thought maybe... I might...
"Ready to go, Leanne?"
My husband and I had planned to go to a movie.
I left the book on the shelf confident I'd be able to find it in my island library--it's especially well-stocked with new titles.
Well I searched and I searched but Short just wasn't there. Thankfully I have a source that never fails me. : )

In brief:  Short is about a short girl in the big adult world of theater.

Story question:  How will Julia Mark resolve her negative feelings toward her short stature?

In Short, author Holly Goldberg Sloan explores
-what it personally feels like to be short
-achondroplasia "dwarfism"
-how involvement in the arts can restore confidence in children who are struggling with self-esteem
and celebrates L. Frank Baum work (especially the Munchkin)

As the story begins Julia Mark is annoyed by her short stature. However, Olive--an adult little person--is confident to be herself in a tall world. Befriending Olive allows Julia to grow in understanding as to who she is and who she values and why.

The last chapter sings. There are tears in my eyes as I finish reading the last page and close this heart-warming book.

What made me sit up and take note?

Although Julia Mark is 12 years old, this novel is mainly peopled with adult characters.

Favourite quote...

Olive:  ' "Discrimination is about bias... It happens when opinions have been formed in advance, and action is based on these prior ideas." ' (p. 178)

Shawn Barr (director):  ' "The world is filled with bias, and it's consumed with judgment and opinions that are hardened and even institutionalized. That's why we do theater. That's what it's about. We are asking people to take another look at themselves and at each other." ' (p. 179-180)



Next Post:  Interview with author Pam Withers
Published Sunday, July 30 at approximately 5 PM PT

Sunday, May 28, 2017

Book review: The Lotterys Plus One by Emma Donoghue (middle grade)

Following her popular novels Room (a story told by a 5-year old narrator) and The Wonder (the plot revolves around an 11-year old), Emma Donoghue has written a middle grade (for children ages 9 to 12 years of age) novel.

The chapters are rather long and the novel is jammed-packed with characters but...
The narrator's voice is strong and unique. The plot well-planned. The ending satisfying.




Publisher:  HarperCollins Publishers Ltd.
Date published:  2017

The Bobbsey Twins series revolved around two sets of twins (aged 6 to 12 years old). The books were written from 1904 to 1979 and the stories reflect on the time as filtered through family life. The Lotterys Plus One is The Bobbsey Twins for the 21st century. The marginalized (those in the minority) have become the majority. The story comes complete with an angry old white guy.

Two couples--two guys and two women--have a baby, Sic. And, after finding a winning lottery ticket, they don't stop with one. They fill a large house with a ton of children. Sumac (9 years old) the middle child, is the protagonist. Some middle children feel overlooked but not Sumac. She is key to the smooth running of the household--as are all the children. The family is happy and well-adjusted. Enter the angry old white guy.

Message:  The Lotterys Plus One stresses the importance of family--how ever you define it.
'who cares so long as the threads get tied.' (p. 303)
The Next Chapter's interview with Emma Donoghue.

"New Summer cut" Thanks Pooch Parlour photo by LDyck

Next Post:  Sunday, June 4 (published at approximately 5 PM PT)
I comment about a topic near and dear to my heart--dyslexia.

Sunday, October 30, 2016

Do you read scary stories to children? (article) by Leanne Dyck

Do you write scary stories for children? Do you read scary stories to your child? Why...?

(witch = wise woman. Something I endeavor to be.)

Happy Halloween!

I wrote a scary story for children ages 6 to 9 years old and I brought it to my writing group for feedback. 


Feedback: "Why would you want to scare children?"


Yes to sharing scary stories with children...


We all want to believe that childhood is a time of endless bliss. That worries and fears are foreign to the mind of every child, but this desire may leave your child unequipped to deal with their fears--great and small.

Few times in life are you as vulnerable as you are in childhood. Where you go, what you do, who you meet are largely beyond your control. Your parents go to work and leave you in the care of an adult you just meet. You're outside playing and your neighbour's snarling dog confronts you. 

 'It's a spooky time to be a kid... let's give them some tools to cope with it.' -writes Greg Ruth  in his article Why Horror is Good for You and Even Better for Your Kid  

Sharing scary stories with your child allows the two of you to name your child's fears and talk about effective ways to deal with them.

As Heather Shumaker writes in her article Why We Should Share Sad and Scary Stories with Kids'Books are a safe place for children to learn about the world and their own tough emotions.'

'Being frightened by a book, said [psychologist] Kenny, "helps forge resilience." ' -One third of parents avoid reading scary stories, study finds

(from my days caring for children in day care centres)


Years ago, as a University student, I participated in a heated discussion regarding Bruno Bettlehelm's The Uses of Enchantment.

"Why would you want to traumatize children?" I asked my classmates.

No to sharing scary stories with children...


Literature is a powerful tool that must be used wisely. We must always be conscious of the messages it is sending to children.

Some children are ready for scary stories. We are told that it gives the child an opportunity to work through their fears with the promise of a happy ending.

However, some children are not ready. Instead of helping them deal with real fears, it creates new horrors for the child.


How can tell if your child is ready for scary stories...


Start with a mildly scary story such as The Monster at the end of this Book (this link takes you to a YouTube video reading of this book). Watch your child's reaction. If he shows signs of being afraid, check in with him by asking questions about the characters and the story.

Proceed with caution, at your child's pace.

I was a sensitive child easily frightened by books such as Sleeping Beauty and The Red Shoes, but as an adult, I enjoy reading horror novels. One of the scariest novels in my collection is...



On a remote island off the coast of Seattle, a man lies buried alive. Miles away, his captor--the elusive killer known only as Mephisto--listens through a transmitter to his victim's dying screams, waiting for him to reveal a secret only he knows. But learning the secret is only the beginning of Mephisto's maniacal game...
Tracking the madman are two detectives. In Canada, Superintendent Robert DeClercq, a man who has experienced horror up close. In America, Jenna Bond, a young detective who has never know true horror--until now.
Together they will uncover a trail of clues that will lead them to Mephisto, and into the bloody past in which he exists. Because the most terrifying secrets are buried, lying admidst the bones of the dead... 
Do you read horror? What's the scariest story in your collection?


Next post:  November 6th (published at approximately 5 pm)

Marketing 101
How exactly do you market yourself, your work, your book? What do you say to attract readers? Over the last six years, this blog has received 268,000 page views. What did I say to attract you to this blog?


Picture Book in Canada

Peanut Butter Press is a Canadian children's book publisher based in Winnipeg, Manitoba. We have found our niche in creating quality picture books that children enjoy because of their interesting content and engaging illustrations.
And this in from the Children's Book Council... 




Sharing my Author Journey...

It's hard to believe that I worked this hard this month but...

Sunday, March 27, 2016

Book Review: three picture books by Leanne Dyck



If You Give A Mouse A Cookie
author:  Laura Joffe Numeroff
illustrator:  Felicia Bond
publisher:  Laura Geringer Books--an imprint of Harper Collins Publishers 
www.harpercollinschildrens.com
publishing date:  1985

The story begins with the mouse's request for a cookie. It continues as the mouse asks for something else and something else and something else. I enjoyed the author and illustrator's light touches of humour. The author doesn't supply an ending; the illustrator does--with a drawing of a clearly exhausted narrator. The repeated phrase built suspense and carried me through the story.


Gifts
author:  Jo Ellen Bogart
illustrator:  Barbara Reid
publisher:  Scholastic Canada Ltd
www.scholastic.ca
publishing date:  1995


The poetic text began as a song. 
Grandma travels to Africa to Australia to Mexico to Hawaii to the Arctic to India to Switzerland to China to England. And as she travels she sends gifts to her granddaughter. This truly is a feel good story. Through the illustrations we watch the granddaughter grow from a little girl to a young mother. Like If You Give A Mouse A Cookie, this book also continues after the ending--with Grandma promising to send gifts to her great-grandson. 


This Tree Counts
author:  Alison Formento
illustrator:  Sarah Snow
publisher:  Albert Whitman and Company
publishing date:  2010

This book was printed on recycled paper.
This clever counting book is sure to delight tree huggers young and older. Mr. Tate takes his class outside where they learn why trees are so important to our environment and the students plant trees. The ecological message is driven home by the charming illustrations.

photo by ldyck

Spend time reading picture books...But don't just read them--think about them. Take notes. Study why one works for you and another doesn't. This is good training before starting to write and should continue throughout your career.

 

Ann Whitford Paul


Sharing my author journey...
How do you introduce your characters to your readers. There are so many fun ways. This week I found another.

Sunday, January 17, 2016

Choosing books for children by Leanne Willetts

(me enjoying a book with a friend)


In this article, I explore my experiences with children's literature both in my youth and as an Early Childhood Educator. I discuss folk tales and some of my favourite picture books.

Literature is a powerful tool that must be used wisely. We must always be conscious of the messages it is sending to children.

The world is not a bed of roses and, if we wish to dramatize this fact through the use of literature, that is our choice. During one placement block, I volunteered at a preschool day care in the core area. These children were socio-economic special needs. Possibly due to their environment, some children had aggressive tendencies. The Director's files recorded histories of physical, emotional, and sexual abuse. Cinderella's struggle to find love was a favorite tale for these children.

I, as a child, was entertained by a variety of literature. One book I remember with fear is Sleeping Beauty. Many have described this story as being wonderful, romantic and so on. Seldom is the tale described as a horror story, but to me it truly was. The vision of the innocent babe falling prey to the villainous fairy haunted my dreams. I firmly believed that, as long as I was with my parents, nothing could harm me. Sleeping Beauty told another tale. The innocent babe was attacked and there was nothing that her parents could do.


Graduating from the University of Winnipeg


(Professor's comment:  I'd be interested in seeing you think some more about why you might have reacted as you did to Sleeping Beauty.) 

These two accounts state some of the advantages as well as disadvantages of Grimm (or that genre) fairy tales. Some children are ready for this form of literature. We are told that it helps them work-out problems they may have which are unreachable in reality. Fairy tales, then, give the child a chance to work through the problem with the security that, when he shuts the book, the fictional problem will be resolved.

Some children, however, are not ready for this form of literature. Instead of helping them to deal with realities' horrors, it creates horrors which their mind cannot escape. 

What then is the solution? Clearly it is not to favor one group to the detriment of the other. We, as day care professionals, must remain sympathetic to both groups. 

How?

We must ensure that our libraries contain a wide range of books. Once again, expanding your library takes careful thought. The idea is to attempt to appeal to the widest range of literary taste. 

(Professor's comment:  Should there be no attempt to guide and develop taste?)

It is important to expose children to a variety of literary forms. Books which I would include on this list are as follows:

-Books from the Sesame Street series such as The Monster at the End of this Book. This book creates a fun, joyous reading environment. It's humour is warm and at a level which children can understand.

(Professor's comment:  Both of these statements need some evidence to support them.)

Books written by Robert Munsch such as Love You Forever. This is the story of the special relationship between parents and children. It is a warm loving story. A story which I believe is important to share with all children. Robert Munsch has great skill in storytelling.

(Professor's comment:  This particular Munsch story has always seemed to me to celebrate a particularly manipulative style of parenting.)

Our duty is to collect special stories, then display them in an appealing manner that invites children to look. The final judge should and must be the child.

(Professor's comment:  only?)

Remember, be sensitive to the uniqueness of each child.

I wrote this article on September 13, 1987 for the University of Winnipeg's Children's Literature. The professor's comments are highlighted in red.

More...

Sharing Stories with Children
(an article about my 2015 experience of reading stories to a group of children)

Next week:  I've kept this blog for five years--since October, 2010. I've post an article (or short story) on time, every time--with very few exceptions. With a record like that you might think I could be a journalist. Hmm. Yeah, you might think that. And, in fact, several years ago, I considered a career in journalism. I showed up at the college for the entrance exam--and everything. But... Well, I'll explain what happened after that in a short story that I'll share next Sunday night Monday. Please stay tuned.

Sharing my author journey...

As I've shared in my last post, I'm currently reading this book...



And it has already earned its weight in gold.
In my latest reading, the key word was