Showing posts with label Noir thriller. Show all posts
Showing posts with label Noir thriller. Show all posts

Sunday, July 5, 2015

Book Review Gone Girl by Gillian Flynn

A friend says, “I just finished reading Gone Girl. Have you read it? You have to read it. I know you'll like it.”

I've known this friend for many years and she knows me well. And so I buy a copy.

I don't read the back cover blurb. I just flip the book open and begin to read and immediately I'm thrown into a mystery. The narrator has little rhyme to his life? He usually wakes on a whim. Yet, today he has woken precisely at 6 AM.

Why? What kind of a career can afford him that type of leeway?

Then I read page 5: 'I used to be a writer.'

The narrator is a once-upon-writer, his wife (Amy) is a writer and so are is in-laws. In fact, Amy's parents have created a children's series inspired by their daughter. No, more then inspired by. The fictional Amy seems to be a new and improved version of the real Amy.

As Amy writes: 'I can't fail to notice that whenever I screw something up, Amy does it right.' (P. 36)

My friend knows of my passion to become a writer. I pause to wonder if this overabundance of writers is the reason my friend thought I would enjoy this book.

But it's more then that...

Gone Girl is about a relationship. The couple is young and attractive. The ingredients for a romance and yet it is a thriller.

'Isn't that what every marriage is, anyway? Just a lengthy game of he-said, she-said?' (p. 544)

I love stories that throw you for a loop like that. You wiggle your way into the comfortable pages. Everything is so familiar. You feel so at home. And then wham bam you're sent reeling. Stephen King writes this type of story very well and so does Gillian Flynn.

I admire other aspect of Ms. Flynn's writing as well...
In chapter one the narrator wishes that he could be in his wife's head. Then in chapter two he is. He's reading her diary, in fact. How much more in her head can he get?

Ms. Flynn continues to play with her main characters in this manner. For example, Amy disappears in one chapter and Nick reappears in the next.

What is the overriding theme...?

A promising happy-ever-after marriage breaks down set against the US economy. An economy that was so promising but that is slowly sliding into bankruptcy—people are losing their jobs, grandiose malls echo from abandonment.

Everything is disappearing in this book: Amy, Nick's future, Nick's dad, Amy's parents' money...

Favourite quote...


'She chirps the last bit as if that were all to say about a book: It's good or it's bad. I like it or I didn't. No discussion of the writing, the themes, the nuances, the structure, Just good or bad. Like a hot dog.' (p. 377)


Back cover blurb:  On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne's fifth wedding anniversary. Presents are being wrapped and plans are being made when Nick's clever and beautiful wife disappears. As the police begin to investigate, the town golden boy parades a series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he's definitely bitter--but is he really a killer?

More...


Next Monday...

Writers, do you kill your darlings?

Author journey...
I cared for children in a Day Care setting for approximately fourteen years...

Friday, March 21, 2014

Why Even Write? by Neil D. Ostroff


my blog:

Amazon author central page:

Authors den

twitter

Book Marketing network



Here are some reviews:

5.0 out of 5 stars Finished it yesterday and still reeling..., August 19, 2013
By 
Elly Michaels - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Drop Out (Kindle Edition)
Wow! My literature professors always said that a novel is praiseworthy if it inspires in the reader strong emotions, and Neil Ostroff's Drop Out certainly does that.
5.0 out of 5 stars Drop Out, July 29, 2013
By 
Dora Preston - See all my reviews
This review is from: Drop Out (Kindle Edition)
Ostroff hits a home run. Drop Out is a truly inspiring story of heartbreaking loss, survivor's guilt, and the healing power of unconditional love. I highly recommend this book.
5.0 out of 5 stars One of the most emotionally moving books I have ever read., July 28, 2013
By 
Mary Lou Transue - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Drop Out (Kindle Edition)
Since I am 82 years old I read this book rivited to the story line with so many deaths. I have had most of my friends pass and many with Hospice Care so I was attracted to learn what Hospice does to ease the end of life.

The book was fast reading and very very moving. In a way it was extremely spiritual and it made me realize
how lucky we all are for every breath we take and every day we live.

 Buy it and read it. You will not regret it.



WHY EVEN WRITE?
I've been doing the internet interview thing again and recently I was asked something that I hadn't been asked before. The questioned posed was; "What do you hope to achieve with your writing?"

I had to think about that one for a moment before I could offer a reasonable response. I'm actually not looking to achieve anything with my writing except to provide people with entertainment (an imaginary retreat from the real world). I'm not looking to win any big awards (though I'm not opposed). I don't think I'm going to get rich from this (though that would be nice). And I'm not looking at my writing as a way to meet women (I'm married). So why exactly am I constantly in front of my keyboard tapping until carpel tunnel kicks in?

Simple, I'm addicted to storytelling.

I describe my books as quick, exciting, thought-provoking, powerful reads, devoid of mind-numbingly boring character details, but characters that will forever haunt your memory. My plots are both uniquely insightful and yet jarring at the same time.

I don't think my books will ever hit the mainstream market but I could get a viral following of readers who want to experience the kinds of stories that stay with you long after finishing the final page. As one of my fans put it in an email to me; "I love your novels because I can read them in a few hours, which is good, because I can never put them down once I start one."

Such high praise pinks my cheeks. The freedom of an author to write any type of novel they want without worrying if a certain publisher will accept the material is amazing. I will NEVER have a publisher or agent tell me to rewrite a novel again.

In my early, exciting days as a New York-agent-represented author I had several publishers tell me to take out what I thought were some of the best parts of my novels because they felt the scenes wouldn't sell to the mainstream public. Well, guess what? I don't want to sell to the mainstream public. I want to sell to people who are interested in reading something they've never read before, something that may touch them deeply or maybe scare the h*ll out of them. No boring, conventional, formulaic, mainstream stories here. Just a crazy, obsessed, introverted author airing out the over-cluttered attic of his mind.




Tuesday, June 7, 2011

Crime Writers of Canada conference by Leanne Dyck

We arrive at the Hotel Grand Pacific--site of the Bloody Words writers' conference. Bloody Words is the largest gathering of crime writers--and related genre--in Canada.



Me

I attended this conference with my friend Amber Harvey. She has an informative post regarding the conference on her blog.



Conference organizer Lou Allin prepares to introduce William Deverell

Canadian author William Deverell is interviewed by Adrain Chamberlain

Some of what I learned...

-write what you know

-don't be afriad to junk great chapters if they don't fit

-to be a successful author you have to want it really badly

-read a lot

-learn the craft

-William Deverell begins each day by re-writting

-don't wait for your muse

-avoid overwriting

-use an outline to guide you

-get to know your characters


Grant McKenzie interviewed the international guest of honour Tess Gerritsen

'medicial suspense queen' -publisher weekly

Some of what I learned...

-readers want to know secrets

-to write well you need to read a lot

-find an emotional charge to ignite your story

-half-way through writing your story you'll want to walk away--don't

Remember: you can fix a bad page, but not a blank page

-successful authors need to write a book a year (at least)

-there's no one right way to write--what works for you works for you

Michael Slade's Shock Theatre

a recreation of 1940s radio play