Showing posts with label Ayelet Tsabari. Show all posts
Showing posts with label Ayelet Tsabari. Show all posts

Friday, April 11, 2014

Guest Post Ayelet Tsabari

Author Bio: 
Ayelet Tsabari is an Israeli of Yemeni descent. After growing up in a suburb of Tel Aviv, she travelled extensively throughout South East Asia, Europe and North America before moving to Vancouver in 1998. Tsabari adjusted to writing in her second language, and studied other ways to tell stories through film at photography in the Capilano University Media Program. She directed two documentary films, one of which won the grand prize in the Palm Spring International Sport Film Festival. Tsabari wrote her first story in English in 2006. She is a two-time winner of the EVENT Creative Non-Fiction Contest and has been published in literary magazines such as PRISM, Grain and Room. Her unpublished non-fiction manuscript was shortlisted for the First Book Competition sponsored by Anvil Press and SFU’s Writer’s Studio. She is a graduate of the MFA in Creative Writing Program at the University of Guelph and now calls Toronto home.


Interesting facts:
* Ayelet was a soldier in the Israeli army.
* English is Ayelet’s second language and she wrote her first story in English just six years ago.
* Ayelet is married to a sailor.


Twitter 
@AyeletTsabariwww.ayelettsabari.com


Website www.ayelettsabari.com



Photo taken by Sean Brereton

How/why did you start to write?

I was telling stories before I could write. I used to draw comic strips and narrate them to my mother. As soon as I knew the alphabet I started to write stories and poems, so I guess I never really chose it.

How did you become an author?

It’s the only thing I ever really wanted to do. When I decided to take my writing seriously, I applied and was accepted to the Writer’s Studio at SFU in Vancouver. I loved the program and had grown a lot as a writer during that year, so I knew I was on the right track. After that, I moved to Toronto to attend the MFA program at Guelph. My first book, TheBest Place on Earth, was my graduate thesis for the MFA program. I submitted it to HarperCollins after I graduated and to my shock and delight, they accepted it for publication right away.

What was your first published piece?

It’s a two-part answer: my first publication in Hebrew was a poem I wrote as a child and dedicated to my father after his passing, titled “Why?” I also began sending stories and poems to a children’s magazine during that year. My first piece in English, my second language, was “You and What Army,” a memoir essay about my time in the Israeli army.

Where was it published?

The poem was in the beginning of my father’s book of poetry, which was published after his death. “You and what Army” was the winner of Event’s Creative Nonfiction contest and was published in Event Magazine.

How long ago?

The poem was published when I was ten. “You and What Army” (my first Canadian publication!) was published six years ago.

What did you do before embarking on your writing career? Was it an asset to your writing? How?

I started out as a journalist in my teens and early twenties, but I found that it actually inhibited my writing. I had deadlines to meet and spent so much time working at the computer that by the time I was done, I wasn’t inspired to write my own things. After that, I spent thirteen years working as a waitress. I think waitressing is a perfect job for a writer: it’s never the same, and you get to meet different people every day, observe human behavior, eavesdrop on conversations, and hear many stories.

What inspires you?

Everything! Books. Music. Photography. Art. Television. Smells. Travelling. My home. The sea. My family and friends. Taking transit. Cities and the people who live in them. The desert. History.

Please share one of your successful author platform building technique

I love Twitter. It builds a community of writers and readers, and I met some great people and made real connections through it. I also enjoyed building my website, though sometimes blogging can also take away from the precious time I have for writing. 

Parting words

Thank you for having me!

(Thank you for this interesting interview, Ayelet.)



Book Synopsis/Teaser:
Confident, original and humane, the stories in The Best Place on Earth are peopled with characters at the crossroads of nationalities, religions and communities: expatriates, travellers, immigrants and locals. Poets, soldiers, siblings and dissenters, the protagonists here are mostly Israelis of Mizrahi background (Jews of Middle Eastern and North African descent), whose stories have rarely been told in literature. In illustrating the lives of those whose identities swing from fiercely patriotic to powerfully global, The Best Place on Earth explores Israeli history as it illuminates the tenuous connections—forged, frayed and occasionally destroyed—between cultures, between generations, and across the gulf of transformation and loss.



Click on image to embolden.


Thursday, October 24, 2013

Victoria Festival of Authors reviewed by Leanne Dyck

on my way to the Victoria Writers Festival

Gibson Auditorium, Young Building, Camosun College, Lansdowne Campus

Victoria Festival of Authors is a three-day event (October 17 to 19). Due to logistics and finances, I was only able to attend one panel discussion.

Love Familiar:  Our Families, Ourselves


Panelists:  Israeli-Canadian short story writer Ayelet Tsabari (The Best Place on Earth)
Poet Matt Rader (A Doctor Pedalled Her Bicycle Over the River Arno)
Novelist Dede Crane 
Short story writer Shaena Lambert (Oh, My Darling)

Host:  Times Colonist columnist Jack Knox

This event commenced with the authors taking the podium to read from their work.



Dede Crane shared a scene from her novel between a daughter and her aging mother.



Ayelet Tsabari’s story focused on an ethnically diverse family and their differing views on raising sons.



Matt Rader read two poems.




Shaena Lambert’s story focused on a wife’s open marriage and tension-ridden relationship with her husband.

After each reading, Jack Knox asked thought-provoking, weighty questions that left this island gal wishing she’d paid more attention in dictation class.

Some of what I heard and my pen was able to capture…

Ayelet spoke of how her view of ethnic diversity has changed now that she’s a mother. She was raised in Israel—she’s raising her son in T.O. His experiences will be different than hers and this will no doubt create a gap between them.

She said that she wanted to show a different side of Israel, a more personal one. That’s why she wrote about family.

Matt said that it has been his experience that people read themselves into your writing but miss the actual references.

Shaena’s cast of characters have vastly different backgrounds from hers. When asked how she builds characters that are so far away, she answered by saying that the characters come to her in snippets; they grow to live on the page. Once they begin to talk she sees them clearly.

The panel discussion concluded with questions from the audience—from their lips to my ear and down to my pen. Things may have been lost or gained in translation…

Question:  Is it possible to write about simpatico?

Answers:  -It’s important, for the sake of the story, to show contrast.
-It’s important to grow to simpatico.
-Simpatico is what the characters are seeking but they must journey to find it.
-Similarity already exists, that’s why I am drawn to write about them.

Question:  Do you have a right to impose your truth on your family by writing about them?

Answer:  -You have a right to express your point of view
-Be brave, honest storytellers
-Tell your small ‘t’ truth
-Try to take risks as a writer
-By telling your truth it may lead to healing




Panelists:  Shaena Lambert, Dede Crane, Ayelet Tsabari, Matt Rader