Reviewing Word Vancouver 2015

Word Vancouver 'is Western Canada's largest celebration of literacy and reading'.

photo by Leanne Dyck

Once again this year I was only able to attend half of what I wanted to. There was just too much happening. Inside the library there were author readings, workshops, presentations and panel discussions. Outside there were information booths for a diverse collection of groups from publishers to literacy advocates. Plus a stage for performers and tents for author readings.

Saturday I arrived half an hour early. I was eager for the day to begin. First up was a consultation with an established children's literature author. Because I was early I was able to score the third time slot. I was forewarned that ten minutes flew by so I spent the waiting time preparing a point form presentation about my experience, my manuscripts and my goals. The consultation was time well spent. I received validation for the work I've done and encouragement and inspiration to continue working. After the consultation I planned to grab something to eat but instead was pulled into an engaging workshop on how to get out of your own way and write the unexpected. In total, during Saturday and Sunday, I attended three workshops, three panel discussions as well as networking with publishers and fellow authors. 

It's interesting what you can learn if you listen...

A panelist said that she had received over 400 rejections. Another panelist dumped a large bag of mail on the floor.

He said, "This isn't fan mail."

It was rejection letters.

They told the room full of authors not to listen to naysayers and to never give up. They advised us to work towards our future success and prepare to make sacrifices to reach them. They stressed that writing isn't a hobby and it isn't part-time.


It's during events like this that I realize (once again) how truly blessed I am. I'm doing what I love, surrounded by a generously supportive community.

I'll write about what I learnt during Word Vancouver on...
Developing Your Characters on Monday, November 16th
Never Write Alone on Monday, November 30th

Next post:  What I'm thankful for this year

Sharing my author journey...

I'd like to thank you for your kind words regarding the death of my furry companion -- Ticky. He gave so much to me over his long life. And I knew I had do something with all that love. And so... Drum roll...

I'm pleased to introduce you to Bim.

photo by Leanne Dyck

Bim is a nine year old apricot Miniature Poodle cross. I think the other breed is Maltese.

For those of you interested in details...

Writing tips from a writers conference notes by Leanne Dyck

A generous publisher, a knowledgeable panel and an inspiring author were the magic ingredients that made this Crime Writers of Canada (B.C. branch) mini conference a 'must attend' event.

Ruth Linka

Associate Publisher

Rapid Reads

Orca Publishing

Ruth Linka spoke candidly about a diverse list of topics--what she expects from authors, the steps after your manuscript is accepted, and what type of work her publishing house (Rapid Reads imprint of Orca Publishing) is seeking.

Here is what I heard her say (which might be slightly different from what she actually said)...

-stressed that it's important for authors to connect with their (potential) readers through social networking

-when a publisher sends you a personalized rejection letter it's because they want to see more of your work and that they hope you will continue to submit your work

-after the manuscript is accepted the contract is signed, editing starts, book cover ideas are discussed as well as how to promote the book. This usually takes about a year. Although some publishers may reduce the time to six months.

-Rapid Reads is looking for short work (15 to 20k words) and are focusing on mysteries 

-Ideally the author would have the next book in the series ready so that when the first book of the series is published the first chapter of the second book can be included at the back (Louise Penny does this)

-Ruth likes to see good writing, an interesting plot and characters--and for the protagonist to have a side kick

-most Canadian publishers take a manuscript without an agent

-search title to make sure it isn't being used

-catch the publisher's interest in the cover letter

Conference organizer Phyllis Smallman introduces the panel

Left to right:  Lou Allin, Benni Chisholm, Kay Stewart (moniator) and Stanley Evans

When writing a mystery what should the author focus on?

Lou Allin:  Is the crime going to be solved? What other problems will be encountered?

Stanley:  Think in terms of 'must' and 'cannot'--as in, the protagonist must solve the crime because... but cannot solve it because...

How do you make a book suspenseful?

Benni Chisholm:  wrote one of her books in the first person that way the reader only knows what the protagonist knows. She wrote another book in the third person and she wrote it in such a way that the reader knew who the antagonist was. This made the reader worry.

Lou Allin advised against starting chapters with the character getting up or end with the character going to bed.

Lou Allin advised sharing the same thought on every page.

Writing tips?

Stanley:  no outline--writes a detailed synopsis, instead

-all crime books begin with a murder

 -more challenging to write a novel in the lst person so he recommended that beginners write in the 3rd person

Benni:  likes to end each chapter with a cliff hanger. 

Lou:  it's okay to have an unreliable narrator, it's okay to lie to your reader. Even though, the reader has been educated to trust the narrator.

Kay:  get me on the first chapter and flow forward

Phyllis Smallman

Phyllis Smallman began her talk about how to write a best-seller by saying, in order to be a great author you need to be a great reader--learn form the masters.

She recommend that we read best-sellers and study them to determine why they are best-sellers.

Start with a great opening paragraph

Vary the length of your sentences

Recommended writing craft books:

Writing the Breakout Novel Workbook by Donald Maass

Write Away by Elizabeth George

A Passion for Narrative by Jack Hodgins

Reading Like a Writer by Francine Prose

For Writers Only by Sophy Burnham

An Exaltation of Larks by James Lipton

The Describer's Dictionary by David Grambs

Self-Editing for Fiction Writers by Renni Brown & Dave King

The Art of Fiction:  Notes on Craft for Young Writers by John Gardner

Much thanks to the organizers and presenters. (Oh, yes, and to my friend Amber and her husband for making room in their van for me.) I for one, and I know I'm not alone, was brimming over with information and inspiration. And I can't wait until next year...

Sharing my author journey...

I've been giving a lot of thought to what I want to accomplish this summer. 

Finding a publisher for your short story by Leanne Dyck

(google image)

Seeking the all-powerful wizard, I climbed the mountain. I confronted the ferocious dragon and won. All so that I could ask my question, “Oh, great wizard who will publish my short story?”

Great wizards...

The New York Centre for Independent Publishers

http://www.newpages.com

Canadian authors 

https://canadianauthors.org/nationalcapitalregion/contests/writing-contests-calls-for-submission/

There are three types of submissions…

Traditional:  the publisher pays you so they may publish your story

Contest:  In most cases, you pay an entry fee. If you win the contest, your story is published.

Contribution: No money changes hands. Your story is published and promoted.

One publisher may accept one, two, or three types of submissions.

A word of caution:  ensure that the publisher is legitimate by purchasing their publication and, or inspecting their web site.

Report from The Word on the Street

Mission:  To promote reading, writing and literacy while showcasing the depth and diversity of Canada's publishing industry
Who:  Authors, publishers, booksellers, storytellers, performers and thousands of book lovers
Where:  Six Canadian cities, coast to coast--including Vancouver, British Columbia; Lethbridge, Alberta; Saskatoon, Saskatchewan; Kitchener and Toronto, Ontario; and Halifax, Nova Scotia
When:  Sunday, September, 25th
(Note:  This year Vancouver's event was expanded to three-days--Friday, September 23rd to Sunday, September 25th)
(Information collected from The Word on the Street pamphlet)

My personal experience...
My involvement with the festival began with an email from Debra Purdy Kong (Crime Writers of Canada British Columbia/Yukon regional vice-president). She wrote to solicit volunteers to represent CWC. Even though I'd never attended The Word on the Street, I seized this opportunity. In further correspondence, Deborah asked me to help work the booth from one to three o'clock.

Travelling from my quiet rural island to a city alive with words was a culture shock. I arrived at the event at 11 AM. Arriving early provided me with an opportunity to explore. The Mainstage already pulsed with music. Smaller tents housed authors reading to attentive audiences.

From these venues, I moved from booth to booth, networking with authors, editors, publishers and other professionals--many of whom I've invited to visit this blog. Watch for these interviews and guest posts to be featured in the coming months.

At the Crime Writers of Canada booth, I distributed bookmarks, promoted books and spoke with readers.

The Word on the Street is a dynamic, activity-packed event that I'm glad I attended. Next year I plan to listen to some panel discussions as well.