Showing posts with label Kenneth Weene. Show all posts
Showing posts with label Kenneth Weene. Show all posts

Friday, March 8, 2013

Guest Post: Sweaters for my characters by Kenneth Weene


(written on December 31st)


It’s a chilly day here in Phoenix, at least chilly by Arizona standards. I’m not one for being cold; that’s a major reason I live in “The Valley of the Sun.” But I do like chilly. That’s when I get to wear a sweater, and I love my sweaters.

Strangely I seldom dress a character in one – not in my short stories and not in my novels. I frequently describe their clothes, but they don’t wear sweaters.

For me sweaters are personal, preferably knitted for me by somebody who wants me to be warm and comfortable. A good sweater gives me the happy fuzzies. Wearing one is comparable to eating macaroni and cheese or a big piece of chocolate cake; it is comfort food without the calories.

It isn’t that I don’t want my characters to be comfortable. Of course, I need them to be uncomfortable and stressed enough to create a story, but I do want them to have the happy, comfy times, too. It’s just that I can’t figure out who knitted that sweater for them. Who in their back-story loves them that much?

Sure, people buy sweaters in stores. I have to admit that I have a couple of store-bought sweaters. One I had to buy when, while we were on vacation, the weather turned unexpectedly cool and I needed something warmer to wear. Another was a gift, and I didn’t want to refuse it; besides it really is comfortable and warm even if t lacks personal connection. Mostly, however, I wear the sweaters my mother-in-law knitted for me.

I know she didn’t love me that much. She did love to knit, and I was a willing recipient. So there are lots of sweaters in my closet, especially considering the few times I wear one each year.

She knitted those sweaters for me, and I have that back-story, but who would have knitted them for my characters. Since I write primarily about people who are trying to survive, people who are lonely and hurting, it is unlikely that they would have a hand-made sweater. Perhaps they picked one up at Goodwill or the Salvation Army, one that was donated. Then the sweater would have its tale to tell, but that’s something else.

Funny thing, I spend more time obsessing about how to dress a character than I do dressing myself. I throw on a pair of kakis, a tee shirt, and sometimes one of those sweaters, and I’m ready to take on the world. It is seldom that easy for the people in my stories; picking out their clothes is no simple task. 

About the Author


Sometimes Ken Weene writes to exorcise demons. Sometimes he writes because the characters in his head demand to be heard. Sometimes he writes because he thinks what he have to say might amuse or even on occasion inform. Mostly, however, he writes because it is a cheaper addiction than drugs, an easier exercise than going to the gym, and a more sociable outlet than sitting at McDonald's drinking coffee with other old farts: in brief because it keeps him just a bit younger and more alive. 
Ken’s short stories and poetry have appeared in numerous publications including Sol, Spirits, Palo Verde Pages, Vox Poetica, Clutching at Straws, The Word Place, Legendary, Sex and Murder Magazine, The New Flesh Magazine, The Santa Fe Literary Review, Daily Flashes of Erotica Quarterly, Bewildering Stories, A Word With You Press, Mirror Dance, The Aurorean, Stymie, Empirical and ConNotations.
Three of Ken’s novels, Widow’s Walk, Memoirs From the Asylum, and Tales From the Dew Drop Inne, are published by All Things That Matter Press.
Please visit Kenneth Weene's website



Wednesday, April 18, 2012

Guest Post: Silly Me by Kenneth Weene


Silly Me,
By Kenneth Weene

Every time I publish a novel, people ask me if it's autobiographical. "It's so convincing," they say.

Silly me, I tell them no, that I create those novels from my imagination. 

The first novel, Widow's Walk, was about a widow and her grown children. Autobiographical? I don't think so. The second was, I admit, closer to home. Memoirs From the Asylum: yes I am a shrink and I did work in a psychiatric hospital, but no I wasn't a catatonic schizophrenic watching an alternative world unfold inside the crack opposite my bed. 

Now my third novel. Tales From the Dew Drop Inne. A novel about the people who make their psychological home in a neighborhood bar: certainly nobody is going to ask if I'm an alcoholic barely hanging on. Oops! Wrong! That's exactly what I've been asked. Even good friends who know that I almost never drink have asked. "Boy, Ken, you must have been quite a drunk in your day?" "How often do you go to AA?" Comments and questions like that.

I'd be insulted if it weren't such a great compliment. I must be writing well or people wouldn't believe it so readily. I've thought a lot about it, and I have a new answer. Maybe the silly thing has been trying to tell people that my novels aren't autobiographical. 

Are my books autobiographical? Of course they are; when I create those worlds, those characters, those feelings, I put a bit of myself into the process. Writing so it matters requires authenticity - not about events but about emotions. I draw on who I am to write who those characters are - yes, even that catatonic schizophrenic woman and poor Captain, the central character of In the Army, one of the chapters from Tales From the Dew Drop Inne. You might like to sample that chapter. You can listen me read it. http://soundcloud.com/kenneth-weene/in-the-army 

Writing for me draws not on my autobiography but on my human essence - on my ability to connect to that which is in all of us. Are we not all the same? Are we not all more nearly human than otherwise?

Here are some essentials: 
Tales From the Dew Drop Inne is available in print and for Nook and Kindle. The print purchase link is http://www.amazon.com/Tales-Drop-Inne-Kenneth-Weene/dp/0984721584/ref=sr_1_5_title_0_main?s=books&ie=UTF8&qid=1327420219&sr=1-5 
A quick blurb about the book:


"Tales from the Dew Drop Inne" reads like a darkly humorous sitcom. The tone is both heartfelt and deliciously irreverent, showing that one does not need to hate humanity to appreciate the humor of life. Here are tales of drifters, alcoholics, religious renegades, veterans, and drag queens set in pub that is at once a confessional, a circus, and a psychiatric hospital. --Marina Julia Neary, author of "Martyrs & Traitors: a Tale of 1916"