Showing posts with label E. R. Brown. Show all posts
Showing posts with label E. R. Brown. Show all posts

Friday, September 20, 2013

Guest Post Author E R Brown



Marc Emery and me, or
How do you research a subject like grow-ops, when you don’t smoke weed?
My book, Almost Criminal, is about a young man who is seduced into the grow-op business. As one online reviewer put it, it’s a view “into the BC drug trade through the eyes of Tate, a brilliant teenage screwup.”
In every reading I’ve given, and every author Q & A session, one subject is certain to arise. Even my mother asked, “How do you know so much about marijuana? How much research did you do?” At least she was nice enough not to use that nudge-nudge, wink-wink tone of voice.
So, I’ll state this again, just for the record: I don’t smoke. Not cigarettes, cigars, pipes; not tobacco or cannabis or any of the products derived therefrom. There was a time when I did, but that time has passed.
But yes, I did research the subject. It took time, but I established an arms-length relationship with someone “inside” who checked facts for me. My home library grew to include titles like Bud Inc. (Ian Mulgrew); The Cannabible (Jason King); and Marijuana Grower's Handbook: Your Complete Guide for Medical and Personal Marijuana Cultivation (Ed Rosenthal and Tommy Chong). If you want advice on how to set up the plumbing for a basement grow-op, just ask. If you want to know the difference between varieties of pot, I’ve got the breakdown from Alaskan Thunderfuck to Vietnamese Black.
My book is a crime novel. It’s not about marijuana, it’s about crime and society, and how my protagonist makes it through. It’s neither pro-pot nor anti-pot. Which brings me to Marc Emery, Canada’s self-proclaimed Prince of Pot, who’s serving a ten-year jail term in a US federal prison near Yazoo City, Michigan. When I was seeking “advance readers” - people who might write a nice blurb to go on the book’s cover - I thought of Marc.
It took some digging (more research!) and some help from Marc’s wife, but I managed to reach him. Marc was happy to read the book. “I have time on my hands,” he wrote. As a result, my name is now in the federal corrections system’s CorrLinks database.
Marc was enthusiastic until my protagonist makes his first visit to a grow-op. The experience I described was not right, he said. I described a teen’s somewhat smart-ass reaction: Tate is not impressed. Marc complained that a grow-op is “sexy, the smells are wonderful, spicy, peppery, pungent.” He implied strongly that it was a near-religious experience.
Now, I know what a grow-op smells like. It’s earthy and damp, and the fertilizers are either chemical or, um, natural. Spicy and peppery wouldn’t be my words. I’m sure that, for Marc, visiting a grow-op is a near-religious experience. But he’s an activist, and he has an agenda that is wrong for my story. I think that, if I were strongly pro-pot (and engaged in the kind of "research” that people jokingly ask me about) my novel would not be the same.

Marc didn’t blurb my book. But he was helpful: he found technical errors that my previous source had missed, for which I’m grateful. He also described a technique for packaging marijuana so it’s undetectable at the border. I didn’t include that in the book. Research is one thing, but I didn’t feel like telling any casual reader how to beat the cops.

I’m sure my mom would agree.


E.R. Brown is a Canadian writer of crime fiction. His first novel, Almost Criminal, was published in April 2013. An award-winning advertising copywriter, he worked as a stagehand, recording engineer, technical writer and chandelier cleaner before settling down and writing for a living. His short stories have been published in literary magazines and broadcast on CBC Radio. He was born and grew up in the Montreal area,  and now lives in Vancouver.  


book: Almost Criminal (Dundurn, 2013) ISBN 978-1459705838
website: www.erbrown.com

Booklist review (starred),  May 2013

Almost Criminal: Tate MacLane is too smart for his own good, a sort of misguided prodigy. Prematurely graduated from high school, he was tossed out of university (“socialization issues”). Now 17, he’s working at a coffee shop in Wallace, British Columbia, a “hopeless corner of nowhere” and dreaming of finding a way to get back to Vancouver and back to school. Along comes Randle Kennedy, a marijuana grower. Until the drug is legalized, he’s growing medical weed, and the Canadian cops tend to be lenient if they know you’re in the medicinal side of the business. But make no mistake: Randle’s a drug dealer. And young Tate is now working for him. When Tate discovers the truth about the life he’s wandered into, he knows it will take more than his keen intellect to get him out safely. Tate is a fresh narrative voice, and Randle, who could have been a fairly stereotypical drug-dealing villain, has surprising depth; he’s even a weird sort of father figure for young Tate. If you took a gritty crime novel and a coming-of-age story and squashed them together, you might get something very close to this excellent book.


Rick Mofina (bestselling author of the Reed and Sydowski series):
E.R.Brown hits it out of the park – great characters and storytelling evocative of Elmore Leonard.

Robin Spano (author of the Clare Vengel Undercover series of novels):
ALMOST CRIMINAL is a wildly fun read. The concept is original, characters are vivid and fleshed-out, and the story surprised me at each turn, with its unlikely teen hero turning conventional morals upside down. E.R. Brown is an exciting addition to the Canadian crime scene.


Thursday, May 30, 2013

Crime Writers of Canada mini writing conference report by Leanne Dyck


The morning of Saturday, May 25th I woke before my alarm. By 6:30 a.m., I was in the truck headed for the ferry. I was excited—but not nervous. This surprised me. I’m used to talking to one or two people at a time, in a few hours I would be talking to a room full. But the day wasn’t all about me—there were other panels, other panellists.

Here’s what I heard…



Panel 1:  Moving from Idea to Draft

-When conducting research, experts (such as police officers) are helpful—especially if you send them an introductory letter stating what information you want to collect.

An attendee asked:  If your story is based on a true event, how do you avoid being legible?
Answer:  Mask the facts and consult with a lawyer.

There was discussion about plotter or panster. Most present did some type of outlining before writing.

Advice:  -Write the first draft then fix it.

There was discussion about how to make the outlining process easier.
-mind mapping
-mind mapping using Post-it notes
-mind mapping using a whiteboard
-mind mapping using the computer program Scribner

Editors have said that…
-readers want to be in a place
-readers want to learn something

While researching, the Internet provides only a broad overview; therefore, consider purchasing books and consulting experts.

An attendee asked:  Should an author be able to play with the facts?
Answer:  The author should ask herself, “Could this happen?”
If the answer is yes—go for it.

-In writing scenes, instead of trying to account for every minute only write the important scenes.
-You should start the scene with one set of feelings and end it with a different set.
-Beware of sagging middles.
-Each scene should move the story forward.

Food for thought:  An eight-year-old said, “I like this book. I just think the author told too much of it.”



Panel 2:  Handling Common Problems in Plot, Character, and Style
Chris Bullock (moderator), Joan Donaldson-Yarmey, Debra Purdy Kong, Lou Allin

-Beware of using local places as the setting for negative events.
-If you’re becoming bored with the story bring in a bad boy or girl.
-Read (lots of) books like an author. When you encounter characters ask yourself why you like/dislike them.
-Feel free to build a character that is a composite of real people.

When building a character start by asking yourself:
What do they look like?
How do they act?
Where do they work?
Then go deeper…
What are their hopes, dreams, fears…

-Once you understand your character outside and in you can bring them to life on the page.
-When you’re working on a series develop a character bible for each character—main and minor.

When building a character
-avoid making them too quirky—you want believable characters
-avoid making them too stereotypical
-be careful how you age your character
-ensure that there is continuity
-secondary characters shouldn't overshadow—if they begin to reign them in.
-don’t have too many characters. Ensure that each has a purpose.

-find your own style
-your words should flow naturally
-use your own voice
-aim for rhythm in your writing
-as the writer matures so does her writing
-don’t let your setting take over

(much thanks to Kay Stewart for taking this photo)

Panel 3:  Marketing Your Work
Leanne Dyck, Robin Spano, Phyllis Smallman (moderator)

I sat down feeling confident. I looked out at the attendees and immediately felt nervous. All those old stories about how I couldn’t read began attacking me. I was tired so I tripped and fell over some words. This made me feel embarrassed. Still, I knew I wanted to be there; I wanted to be a panellist. This is an important part of building my author career. It’s just hard for me—that’s all. But it’s been my experience that the more I challenge myself the easier things become.
I plan to share my speech with you—in a future post, so watch for that.

Robin Spano spoke eloquently about Twitter, Facebook, and Goodreads. She said that Twitter allows participants to interact with one another and, for this reason, Twitter serves as an excellent tool for networking. 

She explained that Goodreads has a blog and is an excellent way to promote the books that you've enjoyed reading.

Since Robin spoke I’ve had an opportunity to become more involved with Facebook. I like it because through it I feel like a member of a community.

Twitter and Facebook are more immediate—brief messages sent quickly—than blogging. But what works best for me is having an opportunity to think before I write. I also like having a home base where I draw readers while engaging with them online. Blogging also helps escape the "time-suck" that other forms of social networking create. Basically, I used my panel time to promote the virtues of blogging.



One of the marketing ideas Phyllis Smallman recommended, which I hope to eventually use, is Skype. Imagine being able to do an interactive presentation to a global audience.

Award winning author, Phyllis Smallman, lives on Salt Spring Island, B.C. but spends the winter months in Florida where her books are set. Her fifth book, Highball Exit, comes out in the fall of 2012.
"Smallman...is at the top of her game in this fast-paced tale."  Globe and Mail


Phyllis Smallman writes...


Marketing Creativity
It doesn’t matter if you paint, knit or write books like I do; you need to be able to sell your product the same as Kraft needs to sell their cheese. How do we go about that? Here are some quick tips that may help you.

    1.You need to be able to speak about your work so go to Toastmasters and learn to be a great public speaker.  You’ll have fun and it’s the quickest way to put yourself at ease in front of an audience. More than that, they will become part of your marketing platform.

      2. Have a good talk with yourself and decide what type of marketing you are most comfortable doing.  For me that means not hand selling books at fairs, festivals or signings, but I’m happy to hand out bookmarks.

    3. Build a platform with a community of like minded people.  Join guilds, art groups and associations to increase your fan base and provide new ideas and marketing opportunities. I belong to Crime Writers of Canada, Mystery Writers of America and Florida Writers Assoc.

     4. Give stuff away.  In my case, I put up free short stories where e-books are sold.  When you download a short story of mine there is a few chapters of one of my books attached at the end. Bitty And The Naked Ladies has been downloaded about 30,000 times. Write articles about the work you do and offer them to on-line magazines. This is a way to get your name out there and gain authenticity.  If you give people information, you create fans and followers. My articles have appeared in Omni magazine and in Spinetingler.

     I send out a newsletter once a year, when I have a new book out, to update readers on what’s happening and to remind them that I’m still writing. I include any new publishing events, awards or books. For instance, I won a bronze medal from Independent Publishers this spring.  That will go in my fall newsletter to announce my new book, Long Gone Man, coming out in Sept from Touch Wood. To receive newsletters, which you can use as a template, go to www.phyllissmallman.com and I’ll add you to the list.

     This is the most important point.  You want people to like you. Don’t annoy them. Don’t over-send things to them, don’t over-invite them to events, don’t over social media them and most importantly, don’t always make it about you. Be nice.




Mystery Mini Chats followed the panel discussions. It was an opportunity for readers and authors to engage in dialogue about books.