Showing posts with label Canadian. Show all posts
Showing posts with label Canadian. Show all posts

Sunday, March 3, 2019

12 Picture Book Publishers in Canada accepting manuscripts (list) by Leanne Dyck

A collection of small presses and large publishing houses--from British Columbia to Manitoba to Ontario to Atlantic Canada. 

me and a friend


Picture Book Publishers in Canada

the link will take you to the publisher's submission page 
(when available)


Greystone Books kids 
imprint of Greystone Books
British Columbia
currently not accepting submissions (March 2023)
no rhyming or anthropomorphized animals
feminist-inspired books 
Ontario 

Nimbus Publishing
publishes books about Atlantic Canada
Whitney Moran, Senior Editor
temporarily closed for submissions (March 2023)

Rocky Mountain Books
Don Gorman, Publisher
British Columbia

Red Deer Press
Peter Carver, Publisher
Ontario

Tradewind Books
Michael Katz, Publisher
British Columbia
No submissions by email

Pajama Press
is NOT currently (March 2023) accepting submissions
Ann Featherstone, Editor
Ontario 

Annick Press
Ontario

Orca Book Publishers 
British Columbia

Owlkids Books
is accepting submissions until March 17, 2023
Preschool to Kindergarten 
non-fiction
Ontario
non-rhyming picture books
distributed by Hachette Book Group 
Ontario


Tundra Books and Puffin Canada

Only accepting submissions from underrepresented communities
'If you identify as Black, Indigenous, or as a person of color, LGBTSQI2S+, having a disability, or have ever had refugee status, we want to hear from you!'

imprints of 
Penguin Random House Young Readers
Ontario

Scholastic Canada

'interested in reviewing unpublished material by writers from underrepresented communities, including indigenous writers, writers of colour, writers with disabilities, LGBTQ2S+ writers and writers who identify with other marginalized groups'

Others are encouraged to seek representation from a literary agent.

Picture Book authors wishing to submit to the following publishing houses require literary agent representation.

Groundwood Books
is NOT currently (March 2023) accepting submissions
imprint of House of Anansi
Ontario


Sunday, January 11, 2015

No MFA? Submit to these literary magazines by Leanne Dyck

In her article -- What Your Writer's Resume Says About Your Chances for Recognition -- Sharon Bially outlines steps authors can take to keep their manuscripts out of the shredder and increase the likelihood that your potential publisher will read it. Among these steps, Ms. Bially recommends submitting short stories to literary journals. 

To this recommendation, Paula Cappa wrote:  'My question is how does a serious writer break into literary magazines without writing or academic credentials already established? Would you be able to give us a few names of lit magazines that you know to be open to new writers who don't have MFAs or a list of previously published short stories?'

Canadian literary magazines that are open to new writers who don't have MFAs or a list of previously published short stories...



The Fiddlehead


From their website:  'Work is read on an on going basis, the acceptance is rate is around 1-2%'
Welcomes international submitters.


The Malahat Review 

From their website: 'It publishers poetry, short fiction, and creative nonfiction by new and established writers mostly from Canada as well as reviews of Canadian books, and the best writing from abroad.'

Room

From their website: '[P]ublishes orriginal work by women.'

Prism International 

Welcomes international submitters.

The New Quarterly

From their website: 'Please be advised that we only publish writing by Canadian citizens (whether living at home or abroad) and landed immigrants.'


Grain

From their website: '[I]internationally acclaimed literary journal that publishes engaging, surprising, eclectic, and challenging writing and art by Canadian and international writers and artists.'

Prairie Fire

Welcomes international submitters.

Capilano Review

Welcomes international submitters.

This list was last updated on February 15, 2025.

All of these journals pay contributors. In 2014, I submitted a manuscript to each of these journals -- at least one, some more than one. I haven't been published, yet -- but I've come close.
Submitting to literary magazines is like dating: you should have fun, be polite, and get to know each other. Not all of them will be a good fit, but you'll meet some nice people.

Sharing my author journey...

Friday, November 14, 2014

Guest Post: Teresa Karlinski (Tess Kann)

I’m tickled to be here, Leanne. Thanks so much for the invitation to visit your wonderful site.
(I'm delighted you're here, Tess. I look forward to learning more about you and your writing.)


Contact information: Teresa.Karlinski@gmail.com.

Teresa Karlinski lives in a multigenerational household in Ontario, Canada with her cat, Lady Gaga. She is a grandmother and a student of life with a passion for cooking. Although retired, she’s annoyed she can’t keep up with her overwhelming collection of unread books. Daily life consists of writing, reading, blogging and looking after her two grandchildren. Her stories have appeared in a number of anthologies and magazines.

Life is too short not to enjoy it. If you have a dream, grab it for it will nourish you. 

How/why did you start to write?

At age 10, I’d entered the Fire-fighters’ Week Writing Contest, a challenge between the two schools in town: Catholic and Public. I entered without a second thought and won. The prize was a whopping $12.00 which held no interest for me and was given to my parents’ safe-keeping anyway.  I won? I won! 
Afterwards, until I retired, I occasionally wrote stories, but filed them away. I dreamed someday I’d make time to write as much as I wanted.

How did you become an author?   

I registered for writing classes at our local college and met a magazine publisher who invited me to make a submission. The singular theme was inanimate objects that talk. I wanted to accept the offer but the subject was foreign to me. I didn’t think I could manage it but I did. Afterwards, I submitted stories to other magazines, which were sometimes accepted.
I began life online as Tess Kann because I was unsure of the internet when I started blogging. Now that I am publishing, I use my legal name, Teresa Karlinski.

What was your first published piece? Where was it published? How long ago?

My first published piece (Friends?) appeared in an on-line magazine called Perspectives in July of 2012. It was one of the most stunning electronic publications I had ever seen. The invitation to contribute to such a glamorous masterpiece had me awestruck. 

Reflections on your writing process

If confession is good for the soul, here’s my truth. I’m disorganized, but while I’m writing, I hate interruptions. My morning begins at 6:00 or 7:00 a.m. with a large pot of coffee and the local newspaper. Afterwards, I clear my inbox, catch up on all the newsletters and blogs I subscribe to, and respond to comments on my blog. Poof, the morning’s gone. After lunch I concentrate on writing, editing, and searching for magazines to which I might submit my stories.
Another confession: I am a slow writer and only rarely—maybe once—wrote anything I polished in one day. My story, Friends? wrote itself—well, almost.

What did you do before embarking on your writing career? Was it an asset to your writing? How?

My entire working career took place in an office environment. Writing correspondence on my company’s behalf kept up my grammar and punctuation. After I retired and my mom died, I decided the time had come to take writing classes, and now I spend most of my day at the keyboard.

What inspires you?

Inspiration is everywhere: the way someone does something, how they respond to a situation or it can be a specific word. I don’t know the people in my stories, but I do get to know them once I write and they introduce themselves. They inspire me as well.

Please share one of your successful author platform building technique

I hadn’t put any thought into author platform building as I don’t have a book published. I started my blog three years ago in the hope of meeting other writers, to learn about writing, and to nurture my life-long passion of writing. I learn something new every day from the fascinating people I’ve met in the blogging world, and am astounded at the number of readers I’ve acquired.

Palpable Imaginings (published July 2014) is an anthology in which I’ve had the extreme pleasure of being included. Russ Towne of A Grateful Man http://russtowne.com/ is behind this collection.



Slice of Life, (published September 2014) is an anthology of selected non-fiction short stories.


Friday, February 7, 2014

Guest Post: Room Magazine: Canada's oldest literary journal by and about women




For over thirty-five years, Room Magazine has been a space for emerging and established female writers and artists. Based in Vancouver and run by a passionate and diverse collective of volunteers who share editorial and administrative responsibilities, 
Room explores a wide range of themes and ideas through fiction, creative non-fiction, poetry, interviews, book reviews, and artwork by women and about women. We have been honoured to published work by amazing writers such as Carol Shields, Amber Dawn, Ivan Coyote, Lorna Crozier and so many more.

Room was founded as A Room of One's Own (from Virginia Woolf's 1929 essay of the same name) in the 1970s by a collective of female writers, editors and academics, as a way of providing a space for female voices at a time when women writers had a harder time getting published than their male counterparts. Today, Room celebrates events such as Day of the Girl and International Women's Day, and maintains a strong, feminist mandate both in the journal itself, and through our online presence on Facebook (www.facebook.com/roommagazine) and Twitter (@RoomMagazine).

Every year, Room publishes four unique issues – two themed, and two un-themed, open issues – and hosts a literary contest (deadline is July 15!). Upcoming theme In Translation (deadline July 31, 2014). We accept submissions on an ongoing basis from female-identified writers and artists across the globe. Please visit our website (www.roommagazine.com) for more information.

Editorial Collective
Room Magazine
www.roommagazine.com

Friday, September 14, 2012

Guest Post: About Robin Spano's radio interview


On Canada Day, CBC interviewer ‘Kevin Sylvester (spoke) with…four of Canada’s most exciting new mystery writers…
Robin Spano…author of two novels featuring Clare Vengel, the latest being Death Plays Poker…
Hilary Davidson…author of 18 books and two mystery novels involving the travel writer, Lily Moore, the latest is The Next One to Fall
Deryn Collier ‘author of the just-published mystery novel Confined Space.’
Ian Hamilton ‘author of a very successful series of mystery novels featuring forensic accountant Ava Lee. There are three in print; the latest is The Wild Beasts of Wuhan. The fourth is due out this fall.’ (From The Sunday Edition web site)

Robin, I have a few follow-up questions inspired by the interview.




-You spoke about being interested in writing mysteries because you saw it as a way to combine art and science. Please explain further.


RS – Like a science, mystery writing has laws that govern its logic: you need clues & red herrings in the right balance, careful pacing to keep the action moving forward, and the final reveal should be both a surprise oh my god moment and a natural ah, of course conclusion based on the seeds you have planted.

But writing is also a creative process. You have to let go of logic and allow characters to run around freely while they sort out who they are and how they react to each other. You have to open yourself emotionally, let your characters be as dark and twisted – or as sweet and tender – as they like.

I find the formula comforting, because science has always come more naturally to me than anything emotionally open or artistic. But with each book I write, I feel myself letting go of the reins a bit more, blending more creativity in with my science – and as result, with each novel I feel a lot closer to finding characters who breathe like humans.


-You spoke about your feelings toward your central character as being similar to the feelings a mother has for her child. You said that you were interested in watching Clare Vengel grow up. By these comments it appears that character development is very important to you. For you as the author, is it as important, less important, or more important than solving the actual crime itself.

RS – You're dead right: the most exciting part for me is watching Clare grow. The crime is the backdrop – it's Clare's challenge, her motivating force to acquire new skills and shed her emotional barriers in order to solve the case. But it's Clare's growth arc that is front and center for me.


-How do you map the character development that will occur during the novel?

RS – I don't map it as much as I like to throw Clare curve balls. In Death Plays Poker, I sent her undercover as a spoiled trust fund princess because I thought she had too much of a reverse snobbery chip on her shoulder as well as an unfounded loathing of feminine fashion. When the case ends, she hasn't adopted all of her high-maintenance character's ways, but she contemplates refreshing her manicure and figures it's okay to keep a bit of pink in her wardrobe.

It's important to me that Clare matures as a cop in each book. She's young and makes a lot of mistakes at first – some of which repeat themselves, but most of which she learns from.

And there's her love life. At the beginning of the series, Clare doesn't trust men, so she sleeps with a lot of them, telling herself that that's how she maintains control. She wants to fall in love, but her impulse is to push someone away when they get close to her. A couple of men – Kevin and Noah, particularly – manage to break through Clare's cold front, forcing her to ask herself what she wants and why she might be resisting. I had a lot of fun with the romance angle in Death Plays Poker.


-Please share tips on character development.

RS – Know your character's flaws. Pretend they're your friend or family member and you want to help them get past those flaws to live a happier life. It's pretty rare that the solution is to tell them directly how to fix their problems. In fact, it's usually life that has to throw them a curve, and someone grows based on their reaction to the challenge. So my answer is to throw your character that curve. Watch them react. Help guide them in their reaction toward learning to be stronger.


-I have to ask. You said you were angry when you began to write your first novel. What were you angry about? Was the situation eventually resolved? Was writing the novel an effective form of therapy?

RS – My husband owned a pool hall and I was helping him run it. It was a fun club – we're still friends with lots of our customers and staff from there – but by-laws came in and taxes went up and it got harder and harder each year to make a living. Other business owners in Toronto felt the pain just as severely – several closed, and others moved to the suburbs where taxes were lower. I blamed the politicians for the conditions (and I still do, to a certain extent) but I think my real frustration was that I felt like Sisyphus – working my ass off night and day and going nowhere real. My husband was less frustrated because he loved the work itself – he loves people, he loves business, he loves challenges. So while he would have liked the bar to be making more money, he was happy to have a job where he enjoyed going to work each day.

Which is exactly what happened for me when I started writing. I loved opening my file called “Dead Politicians” and getting to work. As soon as the fictional mayor was dead on my fictional page, I felt like I was connecting to my own goals. Toronto's political climate hadn't changed, but my rage finally had an outlet – and that outlet was the springboard to the career I now love. So I wrote a very lighthearted first novel, probably because I was ebullient with joy that I'd found a way to stop pushing that damn rock up the hill.

-Do you often use your writing as therapy?

RS – Yeah, I've never had a good therapist so I had to turn to fiction. Ha, but seriously, yes: fiction does help me resolve issues.

- Does your life often inspire your writing?

RS - Yes, but in surprising ways. Most recently, it's my little nephew in Toronto who I can't get out of my head. (And I like him in my head, so this works.) I find him crawling into my fiction all over the place.


-You said that a sense of justice was an important element in a mystery. Please expand on this concept.

RS – It's one of the formula factors – you need to tie the loose ends, answer all the questions that you raise. It's like a contract with your readers: they're entering the story knowing that you – through your protagonist – will make things right in the end. The murder will be avenged and the bad guy will go down.


-Would you ever consider writing a literary novel or in writing in any other genre other than mystery? Why or why not?

RS – Right now I'm happy writing crime fiction because I love the challenge of plotting as much as I love character development. I'm playing with a techno-thriller now – similar to a mystery in many ways, but with more action and suspense.

But if an idea came to me that didn't want to hang on a crime plot, I'd run with that, too. I love reading literary novels – especially writers like Jessica Westhead and Angie Abdou, who make literary reading as fun as any genre book – so I don't see why I wouldn't one day try to write one.


-You mentioned that you were about to read the novel The Professionals. Please give us a short review.

RS – Owen Laukkanen's writing is extremely skilled – he has a creative writing degree from UBC, and it shows – and the novel's concept is fun and original. Owen takes ordinary smart, college-educated people and shows how they could become hardcore criminals almost without realizing it's happening. And he does it in a page-turning way. Highly recommend.


-What was the best and least enjoyable part of being interviewed on CBC radio?

RS –    The best: being with three good friends & a fun host and chatting books.
            The worst: listening afterwards and thinking, man, I could have said that better.

-How did you find Kevin Sylvester as an interviewer?

RS – Fantastic. He was warm, smart & funny, and he made us feel relaxed. He asked questions that made me think.


Thank you for visiting my blog.

Thursday, June 21, 2012

Guest Post: Lou Allin at the Crime Writers of Canada award night


(Lou Allin receives the Derrick Murdoch Award for contributions to the Crime Writers of Canada.)
I found myself both honoured and terrified to be asked to be the emcee at this year’s Arthur Ellis Awards  for Canada’s best crime writing.

Ellis was the nom de plume of Canada’s last hangman, and the little wooden hanging man statue is a unique, hand-made prize. When the string is pulled, Arthur jumps up and down.

At the Hilton Toronto on Richmond Street on May 31, a near record crowd of about 140 had gathered in the ballroom. One glitch was that due to the special dessert “event,” the evening wouldn’t begin until 8:00 pm, so when introductions were made by our president Garry Ryan , I told the group that they would be served their salad and entrée first. The huge laugh disconcerted me for a moment. When you’re not trying to be funny…

Forty minutes later, it was on to my commentary, which included a “rally the troops” beginning, citing our origins in 1982 when a few founders hoisted drinks to a new organization. The awards were begun shortly after with a few categories, including best first novel, best short story, and best novel. As the years passed, the group moved forward with a website, the catalogue, Cool Canadian Crime, Word on the Street and other events to celebrate National Canadian Crime-Writing Month, the mentorship program, the Unhanged Arthur Sponsorship as well as recent initiatives with the CBC, Zoomer magazine, and the National Post. Our membership has reached 340! These are amazing numbers for a small country.

But since I was asked to speak for twelve minutes, I decided to offer a few suggestions for the future. Not long before, I had read an Icelandic book and came across this sentence: “Before going downstairs, he telephoned Sigurdur Oli and told him to go with Elinborg to Hafnarfjordur to take Gudlaugur’s sister in for questioning. I found myself staring at the sentence and repeating it as if I had entered a new country. I had invested in this book, and not merely because of its constant mention of needing to boil smoked lamb for the upcoming Christmas holidays. A month later at Left Coast Crime, a conference in Sacramento, I heard Helene Turstan, a prominent Swedish crime writer, asked what made the Scandinavian mysteries so popular. She replied, “Ve are exotic.” Now I had my topic. Canada needs to capitalize on its differences, not its similarities, especially to our elephant neighbour down south.

And we have the tools to be exotic.

Let’s start with names. Colin and Siobhan have always flummoxed me.
Geography is even better. Moving from Dildo to Conception Bay and jumping to Climax, SK. There are also Quispamsis, Ecum Secum, St. Louis de Ha Ha, Buzwah, Wawa, Pickle Lake, Medicine Hat, Moose Jaw, and Spuzzum. No need to set the book in these places. Just drop a name now and then. “Got to call Mom in Buzwah. It’s her birthday.”

As for foods, we can do as well as that boiled smoked lamb. How about cod tongues, jellied moose nose, scrunchins, or candied salmon?

We’re not much on guns, but Off insect repellent and Bobex deer repellent could turn back a villain or a neighbour. Icicles can do damage, too.

Exotic history? The Diefenbaby, Prime Minister King’s dog, mother, and séances, and the Pig War in the San Juans.

International plots? Suppose the REAL Jesuit Relations were discovered in a revelation that could bring down the Papacy? A plot to kidnap Justin Bieber could expand the audience to tens of millions of pre-pubescent girls.

Then as stomachs rumbled and wine flowed, the awards took center stage.
 Don Graves and Catherine Astolfo received the Derrick Murdoch Award for their incomparable contributions to the CWC.

The Best Unpublished First Novel went to Sam Wiebe for Last of the Independents.
Astolfo also won the Best Crime Short Story for “What Kelly Did,” a double night for her.

Best Crime Non-Fiction went to Hot Art: Chasing Thieves and Detectives Through the Secret World of Stolen Art by Joshua Knelman.

Best Juvenile went to Tim Wynne-Jones for Blink & Caution.

Best Crime Book in French found La Chorale de Diable by Martin Michaud.

 Best First Novel named Ian Hamilton for The Water Rat of Wanchai.

Peter Robinson took home the Arthur once again for Best Novel, Before the Poison.

At last the special dessert event was ready, created by the Sugarstars from the Food Channel. They ushered us into an autopsy room filled with sweet temptations. A covered body lay on the gurney, and all around were jars and plates and cupboards of organs. Eyeball lollipops, pounds of brains being weighed, platters of kidneys, vials of blood and other amazing creations. Everyone dug in as directed. The event was being filmed and will air in August. So be sure to tune in!

Although I was too nervous to eat the dinner, and left early during the “autopsy,” I got praise for my Icelandic pronunciation. Turns out there was someone at the dinner who spoke the language after all.