Friday, October 31, 2014

Guest Post: Ronsdale Press

Thanks to Leanne for giving us the opportunity to post on her blog!

(It's my pleasure. I'm looking forward to learning more about Ronsdale Press.)

Ronsdale Press was founded in 1988. We are a literary publishing house that publishes fiction, poetry, regional history, biography and autobiography, and books for young readers.


-This is a challenging time to be a publisher. How is Ronsdale Press uniquely equipped to meet these challenges?

It’s a challenging time, but also an exciting time. The expansion of ebooks and online vendors is certainly changing the publishing landscape, and it’s interesting to be a part of it all. I think that mindset—that we are eager to find ways to not just “cope” but to excel in this new era of publishing—is essential.
We publish almost all our new books in ebook format, stay active on social medial and embrace sites like 49th Shelf, All Lit Up, and Goodreads. Our staff routinely takes part in professional development seminars to further our education in these areas. We are also in the process of working with a print on demand company to more efficiently print and ship our titles to customers abroad.
And while the medium may be shifting, the content largely remains the same—and readers want good content. Publishing prominent writers like Jack Hodgins, and award-winners like Pamela Porter and Richard Wagamese, is a giant first step in meeting these challenges.

-I understand that Ronsdale press is a Canadian publisher, what unique benefits and challenges do this present?

An obvious challenge is that many great Canadian writers don’t receive the same “buzz” that an American author might, limiting our exposure to the casual reader. But that just means we have to work a little harder promoting our authors, and groups like the Literary Press Group and others are making progress on that front.
An enormous benefit is the wealth of amazing writers here in Canada. We’ve published a great many non-fiction books and biographies, too, which would not be possible without Canada’s fascinating stories and story makers. 
-How does Ronsdale Press market its books? Does it have a global reach?

Essentially, with the internet and technology of today, we have achieved global reach. While we focus our marketing efforts in North America and the United Kingdom, we do provide direct sales to customers from anywhere (anywhere we can ship to, that is). A few recent examples include India, South Africa and Korea. Printing on-demand in foreign countries will greatly help this effort.
  
-How do you market your books?

We advertise in both local and national media, and send review copies to reviewers across Canada and the United States (and sometimes abroad). We are active on Facebook, Twitter, Pinterest and our own website, as well as with our monthly newsletter. Ronsdale and our authors participate in book launches, fairs, festivals, signings and readings.
-Please describe a typical workday at Ronsdale Press.

Like many independent publishers in Canada today, we have a small office with a limited staff. A “Publishing Assistant” in today’s industry wears many hats: secretary, marketing co-ordinator, copy editor, publicity manager, head of the shipping department, and many more.

-Do you publish print, ebooks or both?

We publish both print copies and ebooks of almost all our new titles. We have also converted a great many of our backlist titles to ebook format and continue to do so.


-Please lead us through Ronsdale Press's author submission process...

We accept manuscripts from Canadian writers, both emerging and established, as per our submission guidelines. We review all manuscripts that arrive and strive to reply within 2-3 months. Our readers review the submissions and make their recommendations to the acquisitions editor, who makes the final decision. We will then reply to the author with our decision and include any relevant feedback regarding their work.

-How do you choose the authors you publish?

First and foremost, the manuscript must good fit for Ronsdale and one that we can promote successfully. We need the author to be able to promote their own work, too. As the face of Canada changes, we are increasingly looking out for multicultural writers. And as our mandate states, we are “dedicated to publishing books from across Canada, books that give Canadians new insights into themselves and their country.”




-Please walk us through the process of publishing a book...

After accepting a manuscript, we work with the author to edit their book to a publishable standard. Our designer creates for us a cover and bookmark for the title. When editing is complete, we send it to the typesetter. We proofread the typeset copy very carefully at least once more before sending it to the printer. Meanwhile, early promotion is underway and we communicate with our sales reps about how many copies we should print. The book is then printed and distributed to the bookstores, where we hope they sell, sell, sell!

Monday, October 27, 2014

Book review: Bag of Bones by Stephen King

I can think of few better ways to celebrate this special time of the year than by reading a book by Stephen King.




Blurb form the back of the book:  Four years after the sudden death of his wife, forty-year-old bestselling novelist Mike Noonan is still grieving. Unable to write, and plagued by vivid nightmares set at the western Maine summerhouse he calls Sara Laughs, Mike reluctantly returns to the lakeside getaway. There, he finds his beloved Yankee town held in the grip of a powerful millionaire, Max Devore, whose vindictive purpose is to take his three-year-old granddaughter, Kyra, away from her widowed young mother, Mattie. As Mike is drawn into Mattie and Kyra's struggle, as he falls in love with both of them, he is also drawn into the mystery of Sara Laughs, now the site of the ghostly visitations and escalating terrors. What are the forces that have been unleashed here--and what do they want of Mike Noonan?

What stood out for me, while I read, were the comments about a writing life. Mr. King spells out an easy road to success--write a book, attract a well established publisher, keep writing. This is the road to success that protagonist Michael Noonan followed. He kept writing--producing one book a year and storing other manuscripts as a safety net. And I wondered could I do that? Could I squirrel away manuscripts like nuts against a cold winter? Could I wait to save my words instead of sharing them with you, my reader? At this point in my career, that's the position I've been forced into. I'm not storing my manuscripts. They are being stored for me in slush piles. And it feels like I'm existing in purgatory--will I get the reward of a good writer and be published or pay for my sins by being rejected? 

'This is how we go on:  one day at a time, one meal at a time, one pain at a time, one breath at a time... If you write books, you go on one page at a time.' (p. 361)

Thank heavens for this blog. Thank heavens that I have this outlet for expression.

'The writing had burned off all thoughts of the real world, at least temporarily. I think that, in the end, that's what it's for. Good or bad, it passes the time.' (p. 492)

And yet, even in paradise there can be trouble. Michael Noonan built a successful writing career but four years ago the love of his life died. Now, he is alone living in his own purgatory. He finishes writing the book he started while his wife was alive and then... and then... 

'And except for notes, grocery lists, and checks, that was the last writing I did for four years.' (p. 34)

I wonder if non-writers can feel the full weight of the sorrow expressed in those words?

2014 has been a very productive year for me. I have made over 50 submissions to publishers. 1 play, 11 short stories, 4 short story collections, 2 novellas and 2 novels have been slipped into envelopes and deposited into mailboxes. I can't imagine not being able to write--I don't want to. It would be like not being able to speak or losing the use of my left arm. 

So, maybe, that's the lesson. Instead of yearning for what is yet to be. I should embrace and celebrate what I have. I should celebrate my creative, fertile mind.

'[I]n dreams, perhaps everyone is a novelist.' (p. 54)

Sharing my author journey...